MARC Record from marc_columbia

LEADER: 04304cam a2200661 i 4500
001 14774405
005 20220903225139.0
006 m o d
007 cr |n|||||||||
008 151212s2008 xxk ob 001 0 eng d
035 $a(OCoLC)ocn930058986
035 $a(NNC)14774405
040 $aEBLCP$beng$erda$epn$cEBLCP$dYDXCP$dOCLCO$dOCLCQ$dYDX$dMERUC$dOCLCQ$dOCLCO$dOCLCQ$dAU@$dN$T$dOCLCQ$dOCL$dOCLCQ$dZCU$dOCLCQ$dOSU$dOCLCQ$dOCLCO$dNOC
019 $a963358083$a1022787077$a1088991450
020 $a9780191540028$q(electronic book)
020 $a0191540021$q(electronic book)
020 $z9780192842695
020 $z0192842692
024 8 $a100504773
035 $a(OCoLC)930058986$z(OCoLC)963358083$z(OCoLC)1022787077$z(OCoLC)1088991450
043 $aen-----
050 4 $aN6370.N374 2008
072 7 $as1ba$2rero
072 7 $aART$x015000$2bisacsh
082 04 $a709.02/4
084 $aJ150.093$2clc
049 $aZCUA
100 1 $aNash, Susie,$eauthor.
245 10 $aNorthern Renaissance Art /$cNash and Susie Nash
264 1 $aOxford :$bOxford University Press, UK,$c2008.
300 $a1 online resource (367 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aOxford History of Art
588 0 $aPrint version record.
505 0 $aPreface and Acknowledgements; Map 1: Major Sea and Land Trade Routes; Map 2: The Burgundian Netherlands; Chapter 1 Introduction; Part I: Problems and Perspectives; Chapter 2 Dispersal and Destruction; Chapter 3 Italian Perspectives; Chapter 4 Sources and Documents; Chapter 5 Physical Evidence and Technical Examination; Part II: Markets for Art: Centres, Products, and Patrons; Chapter 6 Centres; Chapter 7 Products; Chapter 8 Patrons: Importing Art and Artists; Part III: Marketing Art: Artists and the Contexts of Creation; Chapter 9 The de Limbourgs in the Service of Jean de Berry.
505 8 $aChapter 10 Hans Memling Painting Panels in BrugesChapter 11 Printmakers in the Rhine Valley Inventing, Marketing, and Distributing Images; Chapter 12 Declaring Authorship and Expertise: Signatures and Self-Portraits; Part IV: Making Images: Equipment, Materials, Methods; Chapter 13 Workspace and Equipment; Chapter 14 The Workforce; Chapter 15 Materials, Methods, and Technical Virtuosity; Part V: Using and Viewing; Chapter 16 Moving Images; Chapter 17 Settings, Vistas, and Accoutrements for Mass and Prayer; Chapter 18 Meditation and Imagination; Notes; List of Illustrations.
505 8 $aBibliographic Essay Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
520 $aThe history of northern Renaissance art, from the late 14th to the early 16th century, drawing on a rich range of sources to show how northern European art dominated the visual culture of Europe in this formative period - ;This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpie.
504 $aIncludes bibliographical references and index.
650 0 $aArt, Renaissance$zEurope, Northern.
650 0 $aArt, Northern European.
650 6 $aArt de la Renaissance$zEurope septentrionale.
650 6 $aArt nord-européen.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aArt, Renaissance$yEurope, Northern.$2cct
650 7 $aArt, Northern European.$2cct
650 7 $aArt, Northern European.$2fast$0(OCoLC)fst00816704
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
651 7 $aNorthern Europe.$2fast$0(OCoLC)fst01245081
650 7 $aart d'Europe du nord$yRenaissance.$2rero
650 7 $aKonst$xhistoria$zNordeuropa$yrenässansen.$2sao
655 4 $aElectronic books.
776 08 $iPrint version:$aNash, Susie.$tNorthern Renaissance Art.$d: Oxford University Press, UK, ©2008$z9780192842695
830 0 $aOxford history of art.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14774405$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS