MARC Record from marc_columbia

LEADER: 05345cam a2200877 i 4500
001 14841927
005 20220528233820.0
006 m o d
007 cr cnu---unuuu
008 200207t20202020enka o 000 0 eng d
035 $a(OCoLC)on1139191427
035 $a(NNC)14841927
040 $aYDX$beng$erda$epn$cYDX$dUKMGB$dOCLCO$dTYFRS$dYDXIT$dTYFRS$dOCLCF$dOCLCQ$dOCLCO
015 $aGBB8L4708$2bnb
016 7 $a019133038$2Uk
020 $a9780429772122$q(electronic book)
020 $a0429772122$q(electronic book)
020 $a9780429772108$q(electronic book)
020 $a0429772106$q(electronic book)
020 $a9780429430152$q(electronic book)
020 $a0429430159$q(electronic book)
020 $z1138366730
020 $z9781138366732
024 7 $a10.4324/9780429430152$2doi
035 $a(OCoLC)1139191427
037 $a9780429430152$bIngram Content Group
037 $a9780429430152$bTaylor & Francis
043 $aa-si---
050 4 $aPR2971.S55$bS65 2020eb
072 7 $aDRA$x005000$2bisacsh
072 7 $aDRA$x005010$2bisacsh
072 7 $aDRA$x010000$2bisacsh
072 7 $aAN$2bicssc
082 04 $a822.3/3$223
049 $aZCUA
100 1 $aSmith, Philip,$d1983-$eauthor.
245 10 $aShakespeare in Singapore :$bperformance, education, and culture /$cPhilip Smith.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2020.
264 4 $c©2020
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in theatre and performance studies
505 0 $aList of Illustrations Acknowledgments Introduction Part 1: A Taste of Home -- 1819 to 1900 Part 2: 'A great and perceptive love' -- 1900 to 1942 Part 3: Shakespeare in the Final Days of British Rule -- 1942 to 1963 Part 4: Playing Balthazar -- 1963 to 1980 Part 5: 'Not pukka' -- 1980 to 1990 Part 6: 'If I profane with my unworthiest hand' -- 1990 to 2000 Part 7: 'To shake the head, relent, and sigh' -- 2001 to 2019 ... and exits Bibliography Index.
520 $aShakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture. This book tracks the role and development of Shakespeare in education from the founding of modern Singapore to the present day, drawing on sources such as government and school records, the entire span of Singapore's newspaper archives, playbills, interviews with educators and theatre professionals, and existing academic sources. By uniting the critical interest in Singaporean theatre with the substantial body of scholarship that concerns global Shakespeare, the author overs a broad, yet in-depth, exploration of the ways in which Singaporean approaches to Shakespeare have been shaped by, and respond to, cultural work going on elsewhere in Asia. A vital read for all students and scholars of Shakespeare, Shakespeare in Singapore offers a unique examination of the cultural impact of Shakespeare, beyond its usual footing in the Western world.
545 0 $aPhilip Smith is professor of English and associate chair at Savannah College of Art and Design, Hong Kong. He has served as fight choreographer for the Shakespeare in Paradise Festival and was co-founder, co-director, and teacher at the Shakespeare Behind Bars programme at Nassau's Department of Corrections Facility. He has written on Shakespeare and on Singaporean literature for numerous journals, as well as authoring Reading Art Spiegelman (2015).
588 0 $aOnline resource; title from digital title page (viewed on February 17, 2020).
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
600 10 $aShakespeare, William,$d1564-1616$xAppreciation$zSingapore$xHistory.
600 10 $aShakespeare, William,$d1564-1616$xStage history$zSingapore.
600 10 $aShakespeare, William,$d1564-1616$xInfluence.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
651 0 $aSingapore$xCivilization$xEnglish influences.
650 0 $aTheater$zSingapore$xHistory.
650 0 $aArts$zSingapore$xHistory.
651 0 $aSingapore$xIntellectual life.
650 6 $aThéâtre$zSingapour$xHistoire.
650 6 $aArts$zSingapour$xHistoire.
650 7 $aDRAMA$xAsian.$2bisacsh
650 7 $aDRAMA$xShakespeare.$2bisacsh
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aArts.$2fast$0(OCoLC)fst00817721
650 7 $aCivilization$xEnglish influences.$2fast$0(OCoLC)fst01352354
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aIntellectual life.$2fast$0(OCoLC)fst00975769
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aSingapore.$2fast$0(OCoLC)fst01205288
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$z9780429772115
776 08 $iPrint version:$z1138366730$z9781138366732$w(OCoLC)1040623213
830 0 $aRoutledge advances in theatre and performance studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14841927$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS