MARC Record from marc_columbia

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001 14866562
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008 150610t20152015txua ob s001 0 eng d
010 $z 2014048464
035 $a(OCoLC)ocn910916495
035 $a(NNC)14866562
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019 $a999819739$a1002199084$a1148207542$a1284940313
020 $a9781477308066$q(electronic bk.)
020 $a1477308067$q(electronic bk.)
020 $a9781477308059
020 $a1477308059
020 $a9781477308073
020 $a1477308075
020 $z9781477302514$q(cloth ;$qalk. paper)
020 $z1477302514$q(cloth ;$qalk. paper)
035 $a(OCoLC)910916495$z(OCoLC)999819739$z(OCoLC)1002199084$z(OCoLC)1148207542$z(OCoLC)1284940313
037 $a8C43015D-A460-40BE-ADE9-C1048F51083A$bOverDrive, Inc.$nhttp://www.overdrive.com
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082 04 $a791.430972$223
086 $aZ UA380.8 B452CL$2txdocs
049 $aZCUA
100 1 $aBerg, Charles Ramírez,$d1947-$eauthor.
245 14 $aThe classical Mexican cinema :$bthe poetics of the exceptional Golden Age films /$cCharles Ramírez Berg.
250 $aFirst edition.
264 1 $aAustin :$bUniversity of Texas Press,$c2015.
264 4 $c©2015
300 $a1 online resource (xi, 240 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aTexas film and media studies series
520 $aFrom the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood's paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Bun̋uel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style's pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas' El Automóvil Gris, the crowning achievement of Mexico's silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.
504 $aIncludes bibliographical references (pages 207-224) and index.
505 0 $aIntroduction: retheorizing Mexican film history -- Every picture tells a story : José Guadalupe Posada's protocinematic graphic art -- Enrique Rosas's el automóvil gris (1919) and the dawning of modern Mexican cinema -- The adoption of the Hollywood style and the transition to sound -- Mexican cinema comes of age : Fernando de Fuentes in the 1930s -- The cinematic invention of Mexico : the poetics and politics of the Fernández unit style -- Luis Buñuel in Mexico -- Three classical Mexican cinema genre films -- Conclusion: what happened to the classical Mexican cinema?
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aMotion pictures$zMexico$xHistory.
650 0 $aMotion pictures, Mexican$xHistory and criticism.
650 0 $aMotion picture industry$zMexico$xHistory.
650 6 $aCinéma mexicain$xHistoire et critique.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism$2bisacsh
650 7 $aMotion picture industry.$2fast$0(OCoLC)fst01027150
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures, Mexican.$2fast$0(OCoLC)fst01738330
651 7 $aMexico.$2fast$0(OCoLC)fst01211700
650 7 $aFilm$2gnd
651 7 $aMexiko$2gnd
650 7 $aFilmbranschen$xhistoria.$2sao
650 7 $aFilmer$xhistoria.$2sao
650 7 $aMexiko.$2sfit
650 7 $aFilmindustrin, Mexiko.$2sfit
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aBerg, Charles Ramírez, 1947-$tClassical Mexican cinema.$bFirst edition$z9781477302514$w(DLC) 2014048464$w(OCoLC)898717439
830 0 $aTexas film and media studies series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14866562$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS