| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:173186345:3239 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:173186345:3239?format=raw |
LEADER: 03239cam a22005658i 4500
001 14870985
005 20210226100746.0
006 m o d
007 cr |||||||||||
008 200107s2019 nyu ob 001 0 eng
010 $a 2019045623
035 $a(OCoLC)on1137744731
035 $a(NNC)14870985
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCQ$dN$T$dYDX
020 $a9780190061845$q(electronic bk.)
020 $a0190061847$q(electronic bk.)
020 $z9780190061814$q(hardback)
035 $a(OCoLC)1137744731
043 $ae-fr---
050 00 $aGV1790.S68
082 00 $a792.8/42$223
049 $aZCUA
100 1 $aMcCarren, Felicia M.,$eauthor.
245 10 $aOne dead at the Paris Opera Ballet :$bLa source 1866-2014 /$cFelicia McCarren.
263 $a2005
264 1 $aNew York, NY :$bOxford University Press,$c[2019]
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aVeil, flower, and dagger : gender, ecology and orientalism in La source -- The natural history and cultural history of La source : 1866 -- La source after Suez : 1875 -- Not the Arab Spring : La source, 2011 -- Resources : La source, 2014.
520 $a"At its debut in 1866, La Source already had it all: dagger-wielding Muslims dominating veiled women, a magic flower in a green ecology, and a full blown environmental crisis at the end. When the Paris Opera ballet restages this Orientalist and colonial drama in 2011, and again in 2014, the contemporary context of homegrown jihad, climate politics and a law banning the dissimulation of the face in public spaces, keeps it relevant. At four historic performances, over 150 years, this book explores the resonance of La Source's double narrative in its contemporary contexts: the biopolitics of bodily hybridity and regeneration and the cosmopolitics of the exploitation of human and natural resources"--$cProvided by publisher.
588 $aDescription based on print version record and CIP data provided by publisher; resource not viewed.
610 20 $aOpéra de Paris.$bBallet$xHistory.
630 00 $aSource (Choreographic work : Saint-Léon)
630 00 $aSource (Choreographic work : Bart after Saint-Léon)
610 27 $aOpéra de Paris.$bBallet.$2fast$0(OCoLC)fst00528555
630 07 $aSource (Choreographic work : Saint-Léon)$2fast$0(OCoLC)fst01793109
650 0 $aBallet$xSocial aspects$zFrance$xHistory.
650 0 $aBallet$xPolitical aspects$zFrance.
650 0 $aOrientalism in dance$zFrance$xHistory.
650 7 $aBallet$xSocial aspects.$2fast$0(OCoLC)fst01982431
650 7 $aOrientalism in dance.$2fast$0(OCoLC)fst01048142
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aMcCarren, Felicia M..$tOne dead at the Paris Opera Ballet$dNew York, NY : Oxford University Press, [2019]$z9780190061814$w(DLC) 2019045622
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14870985$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS