MARC Record from marc_columbia

LEADER: 03528cam a2200445 i 4500
001 14599687
005 20200306140800.0
008 190927s2020 enk b 001 0 eng
010 $a 2019042355
035 $a(OCoLC)on1112861211
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dUKMGB$dYDX$dOCLCO
020 $a9781138307797$qhardcover
020 $a1138307793$qhardcover
020 $z9781315142555$qelectronic book
020 $z9781351391320$qelectronic publication
020 $z9781351391337$qelectronic book
020 $z9781351391313$qMobipocket electronic book
035 $a(OCoLC)1112861211
042 $apcc
050 00 $aML3921.8.R36$bG55 2020
082 00 $a782.421649$223
049 $aZCUA
100 1 $aGill, Jon Ivan,$eauthor.
245 10 $aUnderground rap as religion :$ba theopoetic examination of a process aesthetic religion /$cJon Ivan Gill.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, an imprint of the Taylor & Francis Group,$c2020.
300 $aix, 189 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 0 $aRoutledge studies in hip hop and religion
504 $aIncludes bibliographical references and index.
505 0 $aThe Storied Introduction : Underground Rapper Meets Whiteheadian Thought -- Reconstructions of Religious Identities and Racial Ideologies in Process Philosophy and Hip-Hop Culture -- Underground Hip-Hop as the Flow of Life -- De/centering Religion, Hip Hop and the Nature of the "Underground" in Western Scholarship : A Historiography -- Receptions of Theopoetic Aesthetics : Definitional and Historical Groundings -- Theopoetics of Underground Rap's Creative Impulse -- Multiverse Theistic Creations through Underground Religious Rap -- Underground Hip-Hop Culture and the Aesthetic Process of Religion.
520 $a"Underground rap is largely a subversive, grassroots, and revolutionary movement in underground hip-hop, tending to privilege creative freedom as well as progressive and liberating thoughts and actions. This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings. This in turn creates processural mutations of God that coincide with and speak to the particular context from which they originate. Utilising the work of scholars like Monica Miller and Alfred North Whitehead, Gill uses a secular religious methodology to put forward an aesthetic philosophy of religion for the rap portion of underground hip-hop. Drawing from Whiteheadian process thought, a theopoetic argument is made. Namely, that it is not simply the case that is God the "poet of the world", but rather rap can, in fact, be the poet (creator) of its own form of quasi-religion. This is a unique look at the religious workings and implications of underground rap and hip hop. As such, it will be of keen interest to scholars of Religious Studies, Hip-Hop Studies and Process Philosophy and Theology"--$cProvided by publisher.
650 0 $aRap (Music)$xReligious aspects.
650 0 $aHip-hop$xReligious aspects.
650 0 $aProcess theology.
650 7 $aHip-hop$xReligious aspects.$2fast$0(OCoLC)fst01767934
650 7 $aProcess theology.$2fast$0(OCoLC)fst01078050
776 08 $iOnline version:$aGill, Jon Ivan,$tUnderground rap as religion$b[1.]$dNew York : Routledge, 2019.$z9781315142555$w(DLC) 2019042356
852 00 $bmus$hML3921.8.R36$iG55 2020