MARC Record from marc_columbia

LEADER: 03507cam a2200529Ii 4500
001 14923776
005 20200820220704.0
008 200306t20202020xnaac bc 000 0 eng d
035 $a(OCoLC)1142676358
035 $a(OCoLC)on1142676358
035 $a(NNC)14923776
040 $aZYU$beng$erda$cZYU$dJPG
020 $a9783960986249$q(paperback)
020 $a3960986246$q(paperback)
043 $au-at---
050 4 $aN6888.G76$bA4 2020
245 00 $aKnot book /$cwith a hand book, texts by Stephen Gilchrist and Kelly McDonald and interviews with the team members by Katharina Grosse ; editors: Kristin Rieber and Louise Neri.
246 18 $aKatharina Grosse :$bknot book
246 1 $iExhibition title:$aKatharina Grosse :$bthe horse trotted another couple of metres, then it stopped
246 30 $aHorse trotted another couple of metres, then it stopped
250 $aFirst edition.
264 1 $aSydney :$bCarriageworks ;$aKöln :$bVerlag der Buchhandlung Walther König,$c[2020]
264 4 $c©2020
300 $a196 pages :$bcolor illustrations, portraits ;$c26 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished subsequent to the exhibition "Katharina Grosse: the horse trotted another couple of metres, then it stopped" held at Carriageworks, Sydney, Australia, 6 January-8 April 2018.
504 $aIncludes bibliographical references.
520 8 $aKatharina Grosse is best known for her works of kaleidoscopic colour and epic scale, transforming space by painting directly onto architecture, interiors, and landscapes. At Carriageworks, Sydney, she has enveloped the public space in more than 8250 square metres of suspended fabric, draped, knotted, and folded across and through the architectural elements of the building. On top of the folds she created a vast immersive painting, engaging visitors as both observers and participants in her work. The book, that was conceived by the artist herself, not only minutely documents the work and the transformation it underwent as the many visitors passed through, it also tells the story of its making: "We collected the sewing plans, diagrams, pictures, and photos. Interviews with the team members were taped. It dawned upon me like never before how my work connected to other people's lives and how everybody's lives and knowledge had fed into its making: a critical loop ecology between site, crew materials, and audience." --Publisher's website.
600 10 $aGrosse, Katharina,$d1961-$vExhibitions.
610 20 $aCarriageworks (Art center : Sydney, N.S.W.)$vExhibitions.
650 0 $aFabric folding (Textile crafts)$vExhibitions.
650 0 $aKnots and splices in art$vExhibitions.
650 0 $aTextile painting$vExhibitions.
650 0 $aColor in art$vExhibitions.
650 0 $aInstallations (Art)$vExhibitions.
650 0 $aSite-specific installations (Art)$zAustralia$vExhibitions.
655 7 $aExhibition catalogs.$2lcgft
700 1 $aGilchrist, Stephen,$ewriter of supplementary textual content.
700 1 $aMcDonald, Kelly$c(Art museum curator),$ewriter of supplementary textual content.
700 1 $aRieber, Kristin,$eeditor.
700 1 $aNeri, Louise,$eeditor.
700 12 $aGrosse, Katharina,$d1961-$tWorks.$kSelections.
710 2 $aCarriageworks (Art center : Sydney, N.S.W.),$ehost institution,$eissuing body.
852 00 $bfaxlc$hN6888.G76$iA4 2020g