Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:193236295:3506 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:193236295:3506?format=raw |
LEADER: 03506cam a2200493 i 4500
001 14924692
005 20200729110406.0
008 191105t20202020inua b 001 0 eng
010 $a 2019049067
024 $a40030025522
035 $a(OCoLC)on1101661765
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dCGU$dUKMGB$dIUL$dYDX$dOCL$dTJC
020 $a9780253045836$qpaperback
020 $a0253045835$qpaperback
020 $z9780253045867$qelectronic book
035 $a(OCoLC)1101661765
042 $apcc
043 $aa-cc---
050 00 $aML3746$b.F27 2020
082 00 $a781.62/951$223
245 00 $aFaces of tradition in Chinese performing arts /$cedited by Levi S. Gibbs.
264 1 $aBloomington, Indiana :$bIndiana University Press,$c[2020]
264 4 $c©2020
300 $a178 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aEncounters: explorations in folklore and ethnomusicology
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction.$tFaces of tradition in Chinese performing arts /$rLevi S. Gibbs --$tGrasping intangible heritage and reimagining Inner Mongolia : Folk-artist albums and a new logic for musical representation in China /$rCharlotte D'Evelyn --$tChinese singing contests as sites of negotiation among individuals and traditions /$rLevi S. Gibbs --$tDynamic inheritance : Representative works and the authoring of tradition in Chinese dance /$rEmily E. Wilcox --$tCollecting flowers, defining a genre : Zhang Yaxiong and the anthology of Hua'er folksongs /$rSue Tuohy --$tFrom field recordings to ethnographically informed CDs : Curating the sounds of Yunnan for a niche foreign market /$rHelen Rees.
520 $a"Faces of Tradition in Chinese Performing Arts examines the key role of the individual in the development of traditional Chinese performing arts such as music and dance. These artists and their artistic works-the "faces of tradition"-come to represent and reconfigure broader fields of cultural production in China today. The contributors to this volume explore the ways in which performances and recordings, including singing competitions, textual anthologies, ethnographic videos, and CD albums, serve as discursive spaces where individuals engage with and redefine larger traditions and themselves. By focusing on the performance, scholarship, collection, and teaching of instrumental music, folksong, and classical dance from a variety of disciplines-these case studies highlight the importance of the individual in determining how traditions have been and are represented, maintained, and cultivated"--$cProvided by publisher.
650 0 $aFolk songs$zChina$xHistory and criticism.
650 0 $aFolk dancing$zChina$xHistory.
650 0 $aCultural property$zChina.
650 7 $aFolk dancing.$2fast$0(OCoLC)fst00928643
650 7 $aCultural property.$2fast$0(OCoLC)fst00885014
650 7 $aFolk songs.$2fast$0(OCoLC)fst00929707
651 7 $aChina.$2fast$0(OCoLC)fst01206073
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aGibbs, Levi,$d1980-$eeditor.
776 08 $iOnline version:$tFaces of tradition in Chinese performing arts$dBloomington : Indiana University Press, 2020.$z9780253045867$w(DLC) 2019049068
830 0 $aEncounters (Bloomington, Ind.)
852 00 $bmus$hML3746$i.F27 2020