MARC Record from marc_columbia

LEADER: 04331cam a2200721 i 4500
001 14926235
005 20220501002907.0
006 m o d
007 cr cnu|||unuuu
008 200615r20202011enk ob 000 0 eng d
035 $a(OCoLC)on1158313736
035 $a(NNC)14926235
040 $aTYFRS$beng$erda$epn$cTYFRS$dTYFRS$dUKMGB$dOCLCF$dK6U$dOCLCO$dOCLCQ$dOCLCO
015 $aGBC063072$2bnb
016 7 $a019801953$2Uk
020 $a9781003084983$q(electronic bk.)
020 $a1003084982$q(electronic bk.)
020 $a9781000184778$q(electronic bk. ;$qPDF)
020 $a1000184773$q(electronic bk. ;$qPDF)
020 $a9781000188226$q(electronic bk. ;$qMobipocket)
020 $a1000188221$q(electronic bk. ;$qMobipocket)
020 $a9781000181593$q(electronic bk. ;$qEPUB)
020 $a1000181596$q(electronic bk. ;$qEPUB)
020 $z9781847888341
020 $z9780857850553
020 $z9781847888334
024 7 $a10.4324/9781003084983$2doi
035 $a(OCoLC)1158313736
037 $a9781003084983$bTaylor & Francis
043 $ae-uk---
050 4 $aN72.A76
072 7 $aSOC$x002000$2bisacsh
072 7 $aART$x015110$2bisacsh
072 7 $aSOC$x002010$2bisacsh
072 7 $aJHM$2bicssc
082 04 $a700.103$223
049 $aZCUA
100 1 $aCrehan, Kate A. F.,$eauthor.
245 10 $aCommunity art :$ban anthropological perspective /$cKate Crehan.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2020.
300 $a1 online resource (224 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"First published in 2011 by Berg Publishers."
504 $aIncludes bibliographical references.
505 0 $aArt inside and outside the gallery. -- Moving beyond the gallery. -- From performance to the environment. -- Community arts and the democratisation of expertise. -- Responding to local needs : Goldsmiths. -- Making art collaboratively : Provost. -- Theoretical and political locations. -- Free form in 2004. -- A carnival and a standing stone. -- Conclusion : art and the community.
520 $aExploring key issues for the anthropology of art and art theory, this fascinating text provides the first in-depth study of community art from an anthropological perspective. The book focuses on the forty year history of Free Form Arts Trust, an arts group that played a major part in the 1970s struggle to carve out a space for community arts in Britain. Turning their back on the world of gallery art, the fine-artist founders of Free Form were determined to use their visual expertise to connect, through collaborative art projects, with the working-class people excluded by the established art world. In seeking to give the residents of poor communities a greater role in shaping their built environment, the artists' aesthetic practice would be transformed.Community Art examines this process of aesthetic transformation and its rejection of the individualized practice of the gallery artist. The Free Form story calls into question common understandings of the categories of "art," "expertise," and "community," and makes this story relevant beyond late twentieth-century and early twenty-first-century Britain
545 0 $aKate Crehan is Professor of Anthropology, College of Staten Island and Graduate Center, City University of New York, USA.
588 0 $aOnline resource; title from PDF title page (Taylor & Francis, viewed June, 24, 2020).
610 20 $aFree Form Arts Trust (Great Britain)
610 27 $aFree Form Arts Trust (Great Britain)$2fast$0(OCoLC)fst01925323
650 0 $aArtists and community$zGreat Britain.
650 6 $aRelations artistes-collectivité$zGrande-Bretagne.
650 7 $aSOCIAL SCIENCE$xAnthropology$xGeneral.$2bisacsh
650 7 $aART$xHistory$xContemporary (1945- )$2bisacsh
650 7 $aSOCIAL SCIENCE$xAnthropology$xCultural.$2bisacsh
650 7 $aArtists and community$2fast$0(OCoLC)fst00817635
651 7 $aGreat Britain$2fast$0(OCoLC)fst01204623
655 4 $aElectronic books.
776 08 $iPrint version :$z9781847888334
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14926235$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS