MARC Record from marc_columbia

LEADER: 03559cam a2200469Ii 4500
001 14933760
005 20200805131800.0
008 171102t20172017sz a b 001 0 eng d
010 $a 2017949198
035 $a(OCoLC)on1010575550
040 $aERASA$beng$erda$cERASA$dOCLCQ$dNYP$dCIA$dOCLCF$dOHX$dNYP$dIGA$dOCL$dTFW$dWAU$dUKMGB
015 $aGBB7L6401$2bnb
016 7 $a018609045$2Uk
019 $a992787471$a994639093
020 $a9783319648729$q(hardback)
020 $a3319648721$q(hardback)
020 $z9783319648736 (PDF ebook)
029 1 $aUKMGB$b018609045
035 $a(OCoLC)1010575550$z(OCoLC)992787471$z(OCoLC)994639093
050 4 $aGV1782$b.T73 2017
082 04 $a790.2
245 00 $aTransmissions in dance :$bcontemporary staging practices /$cLesley Main, editor.
264 1 $aCham, Switzerland :$bPalgrave Macmillan,$c[2017]
264 4 $c©2017
300 $axvii, 231 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders"--Page [4] of cover.
505 00 $gIntroductions /$rLesley Main --$tTransmission: from archive to production re-imagining Laban---contemporizing the past, envisioning the future /$rAlison Curtis-Jones --$tImpure transmissions: traditions of modern dance across historical and geographical boundaries /$rFabián Barba --$tPerforming history: Wind tossed (1936), natural movement and the hyper-historian /$rMaria Salgado Llopis --$tThe transmission-translation-transformation of Doris Humphrey's Two ecstatic themes (1931) /$rLesley Main --$tTransmission as process and power in Graham's Chronicle (1936) /$rKim Jones --$tTransmitting Trio A (1966): the relations and sociality of an unspectacular dance /$rSara Wookey --$tSilent transformations in choreography---making over time: Rosemary Butcher's practice of 'looking back and ahead' /$rStefanie Sachsenmaier --$tThe living cultural heritage of Robert Cohan /$rPaul R.W. Jackson.
650 0 $aDance$xProduction and direction.
650 0 $aChoreography.
650 0 $aDance$xStage-setting and scenery.
650 7 $aPERFORMING ARTS / Dance.$2bisacsh
650 7 $aPERFORMING ARTS / Theater / Stagecraft & Scenography.$2bisacsh
650 7 $aChoreography.$2fast$0(OCoLC)fst00858600
650 7 $aDance$xProduction and direction.$2fast$0(OCoLC)fst00887441
650 7 $aDance$xStage-setting and scenery.$2fast$0(OCoLC)fst00887470
700 1 $aMain, Lesley,$eeditor.
776 08 $iebook version :$z9783319648736
852 00 $bbar$hGV1782$i.T73 2017