MARC Record from marc_columbia

LEADER: 07593cam a2200829 i 4500
001 14936772
005 20220403002015.0
006 m o d
007 cr cnu---unuuu
008 191010t20202020enkaf ob 001 0 eng
010 $a 2019045385
035 $a(OCoLC)on1126347136
035 $a(NNC)14936772
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019 $a1162595368$a1176289047$a1243344311
020 $a9780429400285$qelectronic book
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020 $a9780429682186$q(electronic bk. : Mobipocket)
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020 $z9780367023140$qhardcover
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024 8 $a10.4324/9780429400285$2doi
024 8 $a16477309
035 $a(OCoLC)1126347136$z(OCoLC)1162595368$z(OCoLC)1176289047$z(OCoLC)1243344311
037 $a9780429400285$bTaylor & Francis
042 $apcc
043 $ae------
050 04 $aPN2570$b.C663 2020
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082 00 $a792.02/330922$223
049 $aZCUA
245 00 $aContemporary European theatre directors /$cedited by Maria M. Delgado and Dan Rebellato.
250 $aSecond edition.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2020.
264 4 $c©2020
300 $a1 online resource (xxii, 530 pages, 16 unnumbered pages of plates) :$bcolor illustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past thirty years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering an all-encompassing, global approach across the directing field. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe since the end of the Cold War"--$cProvided by publisher.
588 $aDescription based on online resource; title from digital title page (viewed on July 08, 2020).
545 0 $aMaria M. Delgado is Professor and Director of Research at The Royal Central School of Speech and Drama, University of London. She has published widely in the area of Spanish-language theatre and film. Her books include ‘Other’ Spanish Theatres (2003, revised Spanish-language edition, 2017), Federico García Lorca (2008), and ten co-edited volumes. Dan Rebellato is Professor of Contemporary Theatre at Royal Holloway University of London. He has published widely on post-war British theatre and his books include 1956 and All That (1999) and Theatre and Globalization (2009). He is also a playwright whose works have been performed on stage and radio in the UK, Europe, and the USA.
505 0 $a<P>List of plates Notes on contributors Foreword by Mark Ravenhill Acknowledgements Revised introduction to first edition <EM>Maria M. Delgado and Dan Rebellato</EM> Introduction to the second edition <EM>Dan Rebellato and Maria M. Delgado</EM> 1. Ariane Mnouchkine: Activism, formalism, cosmopolitanism <I>Brian Singleton </I>2. Patrice Chéreau: Staging the European crisis <I>David Fancy </I>3. Lev Dodin: The director and cultural memory <I>Peter Lichtenfels </I>4. Silviu Purcărete: Contemporising classics <I>Aleksandar Saša Dundjerović </I>5. Frank Castorf and the Volksbühne: Berlin's theatre of deconstruction <I>Marvin Carlson </I>6. Daniel Mesguich: 'Unsummarisable' <I>mises en scène Jim Carmody (with additional material by Dominic Glynn) </I>7. Declan Donnellan and Cheek by Jowl: 'To protect the acting' <I>Aleks Sierz </I>8. Piotr Borowski and Poland's Studium Teatralne: Where process becomes performance <I>Paul Allain </I>9. Christoph Marthaler: The musicality, theatricality, and politics of postdramatic direction <I>David Barnett </I>10. Jan Lauwers: Performance realities -- memory, history, death <I>Janelle Reinelt </I>11. Simon McBurney: Shifting under/soaring over the boundaries of Europe <I>Stephen Knapper (with additional material by Dan Rebellato) </I>12. Ivo van Hove: Celebrity and reader <I>Dennis Flannery </I>13. Deborah Warner: Experiments of words, bodies, and place <I>Adam J. Ledger </I>14. Romeo Castellucci: The director on this earth <I>Alan Read </I>15. Kristian Frédric: Boxing with the 'gods' <I>Judith G. Miller </I>16. Krzystof Warlikowski: Rupturing taboos, curating publics <I>Bryce Lease </I>17. Calixto Bieito: Staging excess in, across, and through Europe <I>Maria M. Delgado </I>18. Rodrigo García and La Carnicería Teatro/Boucherie Théâtre: From the collective to the director <I>Lourdes Orozco </I>19. Katie Mitchell: Learning from Europe <I>Dan Rebellato </I>20. Thomas Ostermeier: A 'sociological theatre' for the age of globalised precarity <I>Peter M. Boenisch </I>Postscripts 21. Peter Sellars: Identity, culture, and the politics of theatre in Europe <I>Maria M. Delgado </I>22. The director's new tasks <I>Patrice Pavis Translated by Joel Anderson </I>Index</P>
650 0 $aTheater$xProduction and direction$zEurope$xHistory$y20th century.
650 0 $aTheater$xProduction and direction$zEurope$xHistory$y21st century.
650 6 $aThéâtre$xProduction et mise en scène$zEurope$xHistoire$y20e siècle.
650 6 $aThéâtre$xProduction et mise en scène$zEurope$xHistoire$y21e siècle.
650 7 $aPERFORMING ARTS / Theater / General$2bisacsh
650 7 $aPERFORMING ARTS / Theater / Direction & Production$2bisacsh
650 7 $aPERFORMING ARTS / Theater / History & Criticism$2bisacsh
650 7 $aTheater$xProduction and direction.$2fast$0(OCoLC)fst01149278
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
648 7 $a1900-2099$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aDelgado, Maria M.,$eeditor.
700 1 $aRebellato, Dan,$d1968-$eeditor.
776 08 $iPrint version:$tContemporary European theatre directors$dAbingdon, Oxon ; New York, NY : Routledge, 2020.$z9780367023140$w(DLC) 2019045384
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14936772$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS