It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:204719273:3037
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:204719273:3037?format=raw

LEADER: 03037cam a2200457Mi 4500
001 14963109
005 20200831110307.0
008 200212s2020 enkafo b 001 0 eng d
035 $a(OCoLC)on1143513820
040 $aSHS$beng$erda$cSHS$dOCLCO$dOCLCF
020 $a9781789620399
020 $a1789620392
035 $a(OCoLC)1143513820
037 $a9781789622478$bLiverpool University Press
082 04 $a840.5 OXF
049 $aZCUA
100 1 $aCaviglia, Susanna,$eauthor.
245 10 $aHistory, painting, and the seriousness of pleasure in the age of Louis XV /$cSusanna Caviglia.
264 1 $aOxford :$bVoltaire Foundation,$c2020.
300 $axxii, 281 pages, 22 unnumbered pages of plates :$billustrations (black and white), plates (colour), photographs (black and white) ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aOxford University Studies in the Enlightenment ;$v2020:02
500 $aList of illustrations AcknowledgmentsIntroduction Historical perspective: the peaceable kingdom of Louis XV The painters Toward a new artistic idiomI. Historia in stasisChapter 1: The action de repos Prolegomena to the theory and practice Meditation, contemplation The dynamic body suspended Narrative disrupted Moments in the present and the future Chapter 2: Corporeality and repose Fontenelle's ideal Corporeal conversations Figures of seduction The expression of repose From narrative representation to figural presentationII. The figure in artistic practiceChapter 3: Figure/study/artwork Copying the figure The whole and the part The emergence of corporeal repose The new body language Chapter 4: The story beyond the figure From study to subject Autonomous figures in painting Repertoires of models Life study and historical subjectIII. The fabrication of a new grand genreChapter 5: Before the painting The figure: from the idea to the painting The emergence of new creative practices The single body and the multiplication of bodies The figure: from reuse to quotationChapter 6: Epilogue: on novelty in painting Brand new beauties The painting of the presentBibliography Index.
504 $aIncludes bibliographic references and index.
650 0 $aWestern philosophy$xEnlightenment.
650 0 $aArt$xHistory$xBaroque & Rococo.
650 0 $aHistory$xEurope$xFrance.
650 0 $aHistory, Modern$y18th century.
650 0 $aEnlightenment.
650 0 $aEnlightenment$zFrance.
600 00 $aLouis$bXV,$cKing of France,$d1710-1774.
600 07 $aLouis$bXV,$cKing of France,$d1710-1774.$2fast$0(OCoLC)fst00019562
650 7 $aEnlightenment.$2fast$0(OCoLC)fst00912527
650 7 $aHistory, Modern.$2fast$0(OCoLC)fst00958367
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1700-1799$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aOxford University studies in the Enlightenment ;$v2020:02.
852 00 $bglx$hPQ2105.A1$iS81 2020:no.2$zFor circulation information search the serial title.