MARC Record from marc_columbia

LEADER: 06120cam a2200709 i 4500
001 14966548
005 20220507233209.0
006 m o d
007 cr cnu---unuuu
008 200812s2007 enka ob 001 0 eng d
035 $a(OCoLC)on1183473859
035 $a(NNC)14966548
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dUKAHL$dOCLCF$dK6U$dOCLCO$dOCLCQ
019 $a1176328049$a1252925054
020 $a9781003060635$q(electronic bk.)
020 $a1003060633$q(electronic bk.)
020 $a9781000134049$q(electronic bk. ;$qMobipocket)
020 $a1000134040$q(electronic bk. ;$qMobipocket)
020 $a9781000155365$q(electronic bk. ;$qEPUB)
020 $a1000155366$q(electronic bk. ;$qEPUB)
020 $a9781000116090$q(electronic bk. ;$qPDF)
020 $a1000116093$q(electronic bk. ;$qPDF)
020 $z0415392306
020 $z0415392314
020 $z9780415392303
020 $z9780415392310
035 $a(OCoLC)1183473859$z(OCoLC)1176328049$z(OCoLC)1252925054
037 $a9781003060635$bTaylor & Francis
050 4 $aPN1590.S6$bC66 2007eb
072 7 $aPER$x011000$2bisacsh
082 04 $a792.02/2$222
084 $a79.60$2bcl
049 $aZCUA
100 1 $aKuppers, Petra,$eeditor.
245 14 $aThe community performance reader /$cedited by Petra Kuppers and Gwen Robertson.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2007.
300 $a1 online resource (xviii, 283 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aPoetics of the oppressed / Augusto Boal -- Pedagogy of the oppressed / Paulo Freire -- Critiques of community: Habermas, Touraine, and Bauman / Gerard Delanty -- Community arts practices: improvising being-together / Petra Kuppers -- Tactile and vocal communities in Urban Bush Women's Shelter and Praise house / Anita Gonzalez -- Performing as a moral act: ethical dimensions of the ethnography of performance / Dwight Conquergood -- Mass movement: Laban's movement choirs and community dance / Jessica Berson -- Performance, community, culture / Baz Kershaw -- Relational form / Nicolas Bourriaud -- An art encounter: rethinking, renaming, redefining / Gwen Robertson -- "The generosity project" / Becky Shaw -- "Empire project" / Cedar Nordbye -- Home is where the walls speak in familiar ways: listening to the demands of ethics and witness in community performance / Devora Neumark -- Toward communicative democracy: developing Salmon is everything / Theresa J. May -- Preferring a drama-based model for sustainable development advocacy: the Ikot Ayan Itam theatre for development experience / Ubong S. Nda -- Puppets doing time in the age of AIDS / Marcia Blumberg -- Relocated / Graham Pitts -- AIDS narrative murals / Ana Flores -- The mountain performances, Circle the Earth and The planetary dance / Libby Worth and Helen Poynor -- Culture constructs, community, and celebration / Christine Lomas -- Straitjackets of representation / Petra Kuppers -- My body trusts the unknown / Deborah Hay -- Contact improvisation: an introduction / Cynthia Novak -- "Actual lives" and the ethic of accommodation / Terry Galloway, Donna Marie Nudd, and Carrie Sandahl -- At my age: an intergenerational dance project / Diane Amans -- Compositions: the Liz Lerman dance exchange / Jan Cohen-Cruz -- Haunted voices in everyday spaces: the community-based hip-hop of Australian "guerrilla" artist morganics / Rebecca Caines -- Festivities and jubilations on the graves of the dead: sanctifying sullied space / Glenda Dickerson -- Philippine community theatre in the 1990s / Eugene van Erven.
520 1 $a"Community Performance: An Introduction is a comprehensive and accessible practice-based primer for students and practitioners of community arts, dance and theatre. This book is both a classroom-friendly textbook and a handbook for the practitioner, perfectly answering the needs of a field where teaching is orientated around practice. Offering a toolkit for students interested in running community arts groups, this book includes: international case-studies and first person stories by practitioners and participants; sample exercises, both practical and reflective; study questions; and excerpts of illustrative material from theorists and practitioners. This book can be used as a standalone text or together with its companion volume, The Community Performance Reader, to provide an introduction to the field of community arts practice."--Jacket
545 0 $aPetra Kuppers is a community artist, a disability culture activist and Associate Professor of English, Theatre and Women's Studies, University of Michigan. She is the author of Disability and Contemporary Performance: Bodies on Edge, 2003, and The Scar of Visibility: Medical Performances and Contemporary Art, 2007. Gwen Robertson is Associate Professor of Art History at Humboldt State University specializing in 20th century and contemporary art. Her research and teaching interests center on rethinking the role of the arts in contemporary life.
588 0 $aPrint version record.
650 0 $aPerforming arts$xSocial aspects.
650 0 $aRelational art.
650 6 $aArts du spectacle$xAspect social.
650 6 $aArt relationnel.
650 7 $aRelational art.$2aat
650 7 $aPerforming arts$xSocial aspects$2fast$0(OCoLC)fst01057933
650 7 $aRelational art$2fast$0(OCoLC)fst01790999
650 7 $aSoziales Engagement$2gnd
650 7 $aFreies Theater$2gnd
650 7 $aTheaterarbeit$2gnd
650 17 $aClub- en buurthuiswerk.$2gtt
650 17 $aAmateurtoneel.$2gtt
655 4 $aElectronic books.
700 1 $aRobertson, Gwen,$eeditor.
776 08 $iPrint version:$aKuppers, Petra.$tCommunity performance reader.$bFirst edition.$dLondon ; New York : Routledge, 2007$z0415392306$w(DLC) 2006027283$w(OCoLC)71173716
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14966548$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS