MARC Record from marc_columbia

LEADER: 05628cam a2200565Ii 4500
001 14972289
005 20200914150114.0
008 190111t20192019gw ac bc 001 0 eng d
035 $a(OCoLC)on1082322535
040 $aERASA$beng$erda$cERASA$dBDX$dYDXIT$dUAB$dCNNGC$dOCLCF$dLML$dJPG$dCAD$dOMB$dOCL$dOHX
020 $a9783777432236$q(hardcover)
020 $a3777432237$q(hardcover)
035 $a(OCoLC)1082322535
043 $an-us---
050 4 $aN7619$b.N38 2019
082 04 $a704.9/420904$223
110 2 $aNational Portrait Gallery (Smithsonian Institution),$ecreator,$ehost institution.
245 10 $aEye to I :$bself-portraits from the National Portrait Gallery /$ceditors, Rhys Conlon and Sarah McGavran.
246 3 $aEye to eye
246 30 $aSelf-portraits from the National Portrait Gallery
264 1 $aMunich :$bHirmer Verlag GmbH ;$aWashington, D.C. :$bNational Portrait Gallery,$c[2019]
264 4 $c©2019
300 $a335 pages :$billustrations (chiefly color), portraits ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This catalogue is published on the occasion of the exhibition Eye to I, National Portrait Gallery, Washington, DC, November 2, 2018-August 18, 2019"--Colophon.
500 $aArtists include: Berenice Abbott ; Josef Albers ; Robert Arneson ; William Auerbach-Levy ; Richard Avedon ; Don Bachardy ; Ralph Barton ; Jack Beal ; Jessie Tarbox Beals ; William George Beckman ; George Bellows ; Thomas Hart Benton ; Isabel Bishop ; Louise Bourgeoois ; Paul Cadmus ; A. Stirling Calder ; Alexander Calder ; María Magdalena Campos-Pons ; Federico Castellon ; Enrique Chagoya ; Minerva Chapman ; Roz Chast ; Francesco Clemente ; Chuck Close ; Miguel Covarrubias ; Patricia Cronin ; Imogen Cunningham ; Elaine de Kooning ; Pele deLappe ; Jim Dine ; Lois Dodd ; Aaron Douglas ; Mabel Dwight ; Ralph Ellison ; Walker Evans ; Antonio Frasconi ; Al Frueh ; Aline Fruhauf ; Carmen Lomas Garza ; George Gershwin ; Gregory Gillespie ; Xavier Gonzalez ; John D.Graham ; Red Grooms ; George Grosz ; Philip Guston ; Philippe Halsman ; Victor Hammer ; Bertram Hartman ; Susan Hauptman ; David Hockney ; Hans Hofmann ; Charles Hopkinson ; Edward Hopper ; Lotte Jacobi ; Jasper Johns ; Joan Jonas ; Wolf Kahn ; Allan Kaprow ; Gertrude Käsebier ; Deborah Kass ; Ellsworth Kelly ; Jacob Lawrence ; George Platt Lynes ; Danny Lyon ; Man Ray ; Herman Maril ; Ana Mendieta ; Nickolas Muray ; Catherine Murphy ; Hans Namuth ; Bruce Nauman ; Alice Neel ; Louise Nevelson ; Peter Newell ; Beaumont Newhall ; Arnold Newman ; Brian O'Doherty ; Claes Oldenburg ; Hayward Oubre ; Irving Penn ; Francis Picabia ; James A.Porter ; Robert Rauschenberg ; Jacob Riis ; Faith Ringgold ; Diego Rivera ; Larry Rivers ; Alison Saar ; Lucas Samaras ; Fritz Scholder ; Charles Sheeler ; Roger Shimomura ; Everett Shinn ; Shahzia Sikander ; Burton Silverman ; Lee Simonson ; David Alfaro Siqueiros ; Patti Smith ; Raphael Soyer ; Lucy May Stanton ; Edward Steichen ; Ralph Steiner ; Joseph Stella ; Prentiss Taylor ; Abbott Handerson Thayer ; Tseng Kwong Chi ; Tsuguharu Foujita ; Andy Warhol ; June Wayne ; John H.Wilde ; John Wilson ; Martin Wong ; Beatrice Wood ; Grant Wood ; Marguerite Zorach.
504 $aIncludes bibliographical references (pages 328-331) and index.
505 0 $aDirector's foreword / Kim Sajet -- Eye to I: The shifting nature of self-portraits / Brandon Brame Fortune -- Catalogue.
520 8 $aThis richly illustrated book features an introduction by the National Portrait Gallery's chief curator and nearly 150 insightful entries on key self-portraits in the museum's collection. "Eye to I" provides readers with an overview of self-portraiture while revealing the intersections that exist between art, life, and self-representation. Drawing primarily from the museum's collection, "Eye to I" explores how American artists have portrayed themselves since 1900. The book shows that while each individual's approach to self-portraiture arises under unique circumstances, all of their representations raise important questions about self-perception and self-reflection. Sometimes artists choose to reveal intimate details of their inner lives. Other times they use the genre to obfuscate their true selves or invent alter egos. Today, with the proliferation of selfies and the contemporary focus on identity, it is time to reassess the significance of the self-portrait. Exhibition: National Portrait Gallery, Washington D.C., USA (02.11.2018-18.28.2019).
610 20 $aNational Portrait Gallery (Smithsonian Institution)$vExhibitions.
650 0 $aSelf-portraits$zUnited States$vExhibitions.
650 0 $aSelf-portraits$xHistory$y20th century$vExhibitions.
650 0 $aSelf-portraits$xHistory$y21st century$vExhibitions.
650 6 $aAutoportraits$zÉtats-Unis$vExhibitions.
650 6 $aAutoportraits$y20e siècle$vExpositions.
650 6 $aAutoportraits$y21e siècle$vExpositions.
610 27 $aNational Portrait Gallery (Smithsonian Institution)$2fast$0(OCoLC)fst00532734
650 7 $aSelf-portraits.$2fast$0(OCoLC)fst01111843
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aConlon, Rhys,$eeditor.
700 1 $aMcGavran, Sarah,$eeditor.
029 1 $aAU@$b000066058532
852 00 $boff,fax$hN7619$i.N38 2019g