MARC Record from marc_columbia

LEADER: 02284cam a2200457Ii 4500
001 14975876
005 20201113083538.0
008 200320s2020 ne ad b 001 0beng d
035 $a(OCoLC)on1159791931
040 $aERASA$beng$erda$cERASA$dZCU
020 $a9789069183138
020 $a9069183137
035 $a(OCoLC)1159791931
043 $ae-ne---$ae-be---$aa-ja---
050 4 $aN6537.B9$bH64 2020
082 04 $a700.411
049 $aZCUA
100 1 $aHoek, Els,$eauthor.
245 10 $aJames Lee Byars :$bthe sage in the tower /$cEls Hoek
246 30 $aSage in the tower
264 1 $aRotterdam :$bMuseum Boijmans van Beuningen,$c2020
300 $a224 pages :$billustrations, portraits ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBoijmans Studies ;$v15
500 $aIncludes bibliographical references (pages 212-217) and index
520 8 $aDuring his first European exhibition in 1969, American conceptual and performance artist James Lee Byars (1932-1997) presented three actions, and with them provided a guideline for experiencing his art: viewers had to believe in the reality he was offering. His premise was the less you had to go by, the greater the scope of your imagination. The artist travelled extensively throughout his life, and maintained his extensive international network by writing letters. Starting from his correspondence with Flor Bex, Lieve De Deyne, and Wies Smals, this Boijmans Study recounts Byars's activities in the Netherlands and Belgium, and also recounts his formative years in Japan
600 17 $aByars, James Lee$2fast$0(OCoLC)fst00076921
650 7 $aConceptual art$2fast$0(OCoLC)fst00872980
650 7 $aPerformance art$2fast$0(OCoLC)fst01057852
650 7 $aArt, American$2fast$0(OCoLC)fst00815895
650 7 $aNetherlands$2fast$0(OCoLC)fst01204034
650 7 $aBelgium$2fast$0(OCoLC)fst01210278
650 7 $aJapan$2fast$0(OCoLC)fst01204082
648 7 $a1900-1999$2fast
655 7 $aBiographies$2fast$0(OCoLC)fst01919896
700 1 $aByars, James Lee.$tWorks.$kSelections.
710 2 $aMuseum Boijmans van Beuningen,$eissuing body
830 0 $aBoijmans Studies ;$v15
852 00 $boff,fax$hN6537.B9$iH64 2020g