| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:216481749:2591 |
| Source | marc_columbia |
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LEADER: 02591cam a2200337Ii 4500
001 14975901
005 20201029120100.0
008 191215s2019 no abc b 000 0 eng d
035 $a(OCoLC)on1159813466
040 $aERASA$beng$erda$cERASA$dJPG$dOCLCF
020 $a9788283900231
020 $a8283900234
035 $a(OCoLC)1159813466
050 4 $aTR680$b.F33 2019
082 04 $a770
049 $aZCUA
245 00 $aFaces between fact and fiction :$bstudies in photographic portraits in Norway /$cMikkel B. Tin (ed.).
246 30 $aStudies in photographic portraits in Norway
264 1 $aOslo :$bNovus Press,$c2019.
300 $a231 pages :$billustrations (some color), map, portraits ;$c24 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
520 8 $aWhat is a photographic portrait? A moment in a life story, or the essence of a life? A portrait of the sitter, or a portrait of the photographer? Unmistakable truth, or staged imposture? And when the portrait in full face is accompanied by a portrait in profile, the subject we see in the picture is perhaps more properly an object? A suspect object of public control, or an interesting object of scientific research? Often, portraits appear in series. Are these still photographs of individuals, or are they meant to visualize typical features? Features of a period, a social group, an exotic culture, perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups, and stigmatization of others? The photographic portrait conveys presence as well as absence. The photographic portrait compels us to ask whether we are still here in our bodies, or perhaps rather there in our pictures. Whatever the answer, the split between me and my picture prompts a reflexivity which is distinctive of Modernity, and that Modernity largely owes to photography. In the present anthology, taking their starting points in various examples of Norwegian photographic portraiture, a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli, Marthe T. Fjellestad, Aliona Pazdniakova, Marie Fongaard Seim, Thale Sørlie, Mikkel B. Tin.
650 0 $aPortrait photography$zNorway.
650 7 $aPortrait photography$2fast$0(OCoLC)fst01072259
651 7 $aNorway$2fast$0(OCoLC)fst01204556
700 1 $aTin, Mikkel B.,$eeditor.
852 00 $bfaxlc$hTR680$i.F24 2019g