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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:222003231:6800
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:222003231:6800?format=raw

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001 14985166
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049 $aZCUA
245 00 $aActing (re)considered :$ba theoretical and practical guide /$c[edited by] Phillip B. Zarrilli.
246 3 $aActing reconsidered
250 $a2nd ed.
260 $aLondon ;$aNew York :$bRoutledge,$c2002.
300 $a1 online resource (xx, 396 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 1 $aWorlds of performance
504 $aIncludes bibliographical references (pages 363-388) and index.
588 0 $aPrint version record.
505 00 $tGeneral introduction : between theory and practice /$rPhillip B. Zarrilli --$tPart I : Theories of and Meditations on Acting --$tIntroduction /$rPhillip B. Zarrilli --$tThe actor's presence : three phenomenal modes /$rBert O. States --$tOn acting and not-acting /$rMichael Kirby --$t"Just be your self" : logocentrism and difference in performance theory /$rPhilip Auslander --$tThe actor's emotions reconsidered : a psychological task-based perspective /$rElly Konijn --$tPart II : (Re)considering the body and training --$tIntroduction /$rPhillip B. Zarrilli --$tAn amulet made of memory : the significance of exercises in the actor's dramaturgy /$rEugenio Barba --$tMeyerhold's biomechanics /$rMel Gordon --$tEtienne Decroux's Promethean mime /$rDeidre Sklar --$tActor training in the neutral mask /$rSears A. Eldredge and Hollis W. Huston --$tBali and Grotowski : some parallels in the training process /$rI. Wayan Lendra --$rCulture is the body /$tTadashi Suzuki --$tMy bodies : the performer in West Java /$rKathy Foley --$t"On the edge of a breath, looking" : cultivating the actor's bodymind through Asian martial/meditation arts /$rPhillip B. Zarrilli --$tThe Gardzienice Theatre Association of Poland /$rPaul Allain --$tEffector patterns of basic emotions : a psychophysiological method for training actors /$rSusana Bloch, Pedro Orthous and Guy Santibañez-H --$tPart III : (Re)considering the actor in performance --$tIntroduction /$rPhillip B. Zarrilli --$tBrecht and the contradictory actor /$rJohn Rouse --$tDario Fo : the roar of the clown /$rRon Jenkins --$tForum theatre /$rAugusto Boal --$tResisting the "organic" : a feminist actor's approach /$rLauren Love --$tRachel Rosenthal creating her selves /$rEelka Lampe --$tTask and vision : Willem Dafoe in LSD /$rPhilip Auslander --$tDavid Warrilow : creating symbol and cypher /$rLaurie Lassiter --$tRobert Wilson and the actor : performing in Danton's Death /$rEllen Halperin-Royer --$tAnna Deavere Smith Part I : The word becomes you : an interview by /$rCarol Martin --$tAnna Deavere Smith Part II : Acting as incorporation /$rRichard Schechner.
520 $aActing (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as:* how we think and talk about acting* acting and emotion* the actor's psychophysical process* the body and training* the actor in performance* non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
650 0 $aActing.
650 7 $aPERFORMING ARTS$xActing & Auditioning.$2bisacsh
650 7 $aActing.$2fast$0(OCoLC)fst00796146
650 7 $aSchauspieler$2gnd
650 7 $aTheaterspiel$2gnd
650 7 $aTheater$2gnd
650 17 $aActeren.$2gtt
653 $aMulti-User.
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aZarrilli, Phillip B.,$d1947-2020.
776 08 $iPrint version:$tActing (re)considered.$b2nd ed.$dLondon ; New York : Routledge, 2002$w(DLC) 2002028460
830 0 $aWorlds of performance.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14985166$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS