MARC Record from marc_columbia

LEADER: 03536cam a2200589Ii 4500
001 14604622
005 20200810121219.0
008 200212s2019 enka bc 000 0 eng d
035 $a(OCoLC)on1119558585
040 $aUKTTE$beng$erda$cUKTTE$dOCLCO$dYDXIT$dUKOBU$dOCLCF$dCNNGC$dCAM$dOCL
020 $a1849766347$q(paperback)
020 $a9781849766340$q(paperback)
035 $a(OCoLC)1119558585
043 $ae-uk---
050 4 $aN6797.L43$bA4 2019
082 04 $a709.2$223
049 $aZCUA
100 1 $aLeckey, Mark,$d1964-$eartist,$econtributor,$einterviewee.
245 10 $aMark Leckey :$bo' magic power of bleakness /$cedited by Clarrie Wallis and Elsa Coustou ; with contributions by Ed Atkins, Elsa Coustou, Mark Leckey, Roy Claire Potter, Clarrie Wallis, Catherine Wood.
246 30 $aO' magic power of bleakness
264 1 $aLondon :$bTate Publishing,$c2019.
300 $a128 pages :$billustrations (some colour) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalogue of an exhibition held at Tate Britain, London, 24 September 2019 - 5 January 2020.
500 $aIncludes an interview with the artist.
500 $aBiog. ; exhibs. ; colls.
504 $aIncludes bibliographical references (pages 122-123).
520 $aTurner Prize winner Mark Leckey is one of the most influential contemporary artists working today. Since he came to prominence in the late 1990s, Leckey's practice has addressed the radical effect of technology on popular culture and has powerfully articulated the transition from analogue to digital culture. His work is often concerned with under-represented or overlooked aspects of British culture and explores ideas about both collective and personal history. For example, the film Fiorucci Made Me Hardcore 1999 uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to the 1990s. Dream English Kid, 1964-1999 AD 2015 focuses on key episodes in his own life, constructed from "found memories" sourced primarily from the internet. This book, accompanying Leckey's first major show at Tate, combines newly commissioned writing with artist's scripts for performances, and illustrates his previous work as well as the intriguing sources of inspiration for this powerful, immersive new exhibition.
600 10 $aLeckey, Mark,$d1964-$vExhibitions.
600 10 $aLeckey, Mark,$d1964-$vInterviews.
650 0 $aArt, British$y21st century$vExhibitions.
650 0 $aCollage$zGreat Britain$vExhibitions.
600 16 $aLeckey, Mark,$d1964-$vExpositions.
650 6 $aArt britannique$y21e siècle$vExpositions.
650 6 $aCollage (Art)$zGrande-Bretagne$vExpositions.
600 17 $aLeckey, Mark,$d1964-$2fast$0(OCoLC)fst01947330
650 7 $aArt, British.$2fast$0(OCoLC)fst00816044
650 7 $aCollage.$2fast$0(OCoLC)fst00867085
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a2000-2099$2fast
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aWallis, Clarrie,$eeditor,$econtributor.
700 1 $aCoustou, Elsa,$eeditor,$econtributor,$einterviewer.
700 1 $aAtkins, Ed,$econtributor.
700 1 $aPotter, Roy Claire,$econtributor.
700 1 $aWood, Catherine,$d1973-$econtributor.
710 2 $aTate Britain (Gallery),$ehost institution.
852 00 $boff,fax$hN6797.L43$iA4 2019