Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:224471535:2397 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:224471535:2397?format=raw |
LEADER: 02397cam a22003492 4500
001 14987476
005 20201013073606.0
008 200430s2019 mx a c 000 0 spa d
020 $a9786077714569
020 $a6077714569
035 $a(OCoLC)1153630404
040 $aHKB$beng$dHKB$erda
041 1 $aspa$aeng
090 $aNX518.L458$b.L375 2019
100 1 $aLara Elizondo, Lupina,$eauthor.
245 10 $aMax Leiva :$bdesafío y plenitud, obra reciente /$cLupina Lara Elizondo.
246 14 $aMax Leiva :$bescultor
250 $aPrimera edición.
264 1 $aMéxico :$bPromoción de Arte Mexicano,$c2019.
300 $a95 pages :$billustrations (some color) ;$c37 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 8 $aIntroducción / Lupina Lara Elizondo -- El talento espejo del alma / Lupina Lara Elizondo -- Max Leiva.
520 $aMax Leiva is an outstanding Guatemalan and universal sculptor, he was born in Guatemala City in 1966. His career as a sculptor gathers three decades developing small and large format works, as well as illustrious urban sculptures of personages. His references had taken second place in academic discourse. The expressiveness of primitive art that Picasso noticed at the beginning of the 20th century caused a noticeable change that drove the development of countless movements known as the European Vanguard. In the case of Latin America, the archaic expression managed to remain latent during the viceregal period, like a seed that germinated motivated by the freedom promoted by the European avant-gardes, turning into a powerful art, full of elements and with its own visuality. Impressionism, the interwar trends and later the proposals suggested from New York, have had an impact on Latin American Art of the 20th century. Local artists took the structural and enriched it with their own voices. The only movement considered autonomous and universal was Muralism, which Mexico exported to the entire world as an art.
546 $aTexts in Spanish and English.
600 10 $aLeiva, Max,$d1966-$xCriticism and interpretation.
600 10 $aLeiva, Max,$d1966-$vCatalogs.
650 0 $aSculpture, Guatemalan$y21st century.
700 12 $aLeiva, Max,$d1966-.$tWorks.$kSelections.
852 00 $boff,fax$hNX518.L458$iA4 2019g$mF