MARC Record from marc_columbia

LEADER: 05946cam a2200589 i 4500
001 14616581
005 20200221122620.0
008 190301t20192019ncua b 001 0 eng c
010 $a 2019006361
035 $a(OCoLC)on1076805417
040 $aNcD/DLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCQ$dVVPCS$dYDX$dCBY$dPAU$dPSC
019 $a1076800007
020 $a9781478004141$qhardcover ;$qalkaline paper
020 $a1478004142$qhardcover ;$qalkaline paper
020 $a9781478004769$qpaperback ;$qalkaline paper
020 $a1478004762$qpaperback ;$qalkaline paper
035 $a(OCoLC)1076805417$z(OCoLC)1076800007
042 $apcc
043 $an-us---
050 00 $aPN1995.9.R22$bS374 2019
082 00 $a791.43/65529$223
049 $aZCUA
245 00 $aScreening race in American nontheatrical film /$cAllyson Nadia Field, Marsha Gordon, editors ; with a foreword by Jacqueline Najuma Stewart.
264 1 $aDurham :$bDuke University Press,$c2019.
264 4 $c©2019
300 $axxvi, 430 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tForeword. Making voice, taking voice: nonwhite and nontheatrical /$rJacqueline Najuma Stewart --$tIntroduction /$rAllyson Nadia Field and Marsha Gordon --$t'A vanishing race' The Native American films of J.K. Dixon /$rCaitlin McGrath --$t'Regardless of race, color, or creed': filming the Henry Street Settlement visiting Nurse Service, 1924-1933 /$rTanya Goldman --$t'I'll see you in church': local films in African American communities, 1924-1962 /$rMartin L. Johnson --$tThe politics of vanishing celluloid: rediscovering Fort Rupert and the Kwakwaka'wakw in American ethnographic film /$rColin Williamson --$tRed star/black star: the early career of film editor Hortense 'Tee' Beveridge, 1948-1968 /$rWalter Forsberg --$tCharles and Ray Eames's Day of the Dead (1957): Mexican folk art, educational film, and Chicana/o art /$rColin Gunckel --$tEver-widening horizons. The National Urban League and the pathologization of blackness. In a world for Jim and a morning for Jimmy /$rMichelle Kelley --$t'A touch of the Orient': negotiating Japanese American identity in the challenge (1957) /$rTodd Kushigemachi and Dino Everett --$t'I have my choice': behind every good man and the black queer subject in American nontheatrical film /$rNoah Tsika --$tTelevising Watts: Joe Saltzman's Black on Black (1968) on KNXT /$rJoshua Glick --$t'A new sense of black awareness?' Navigating expectations in the black cop /$rTravis L. Wagner and Mark Garrett Cooper --$t'Don't be a segregationist: program films for everyone': the New York Public Library's film library and youth film workshops /$rElena Rossi-Snook and Lauren Tilton --$tTeenage moviemaking in the lower East side: the Rivington Street Film Club, 1966-1974 /$rNoelle Griffis --$tRo-revus talks about race: South Carolina malnutrition and parasite films, 1968-1975 /$rDan Streible --$tGovernment-sponsored film and latinidad: Voice of la raza (1971) /$rLaura Isabel Serna --$tAestheticizing Asian American assimilation in the learning corporation of America's many Americans series (1970-1982) /$rNadine Chan --$t'The right kind of family': memories to light and the home movie as racialized technology /$rCrystal Mun-hye Baik --$tBlack home movies: time to represent /$rJasmyn R. Castro.
520 $a"Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the ways filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to this book examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films as well as other forms of nontheatrical filmmaking. From filmic depictions of Native Americans and films by 1920s African American religious leaders to a government educational film about the unequal treatment of Latin American immigrants, these films portrayed--for various purposes and intentions--the lives of those who were mostly excluded from the commercial films being produced in Hollywood. This volume is more than an examination of a broad swath of neglected twentieth-century filmmaking; it is a reevaluation of basic assumptions about American film culture and the place of race within it."--$cBack cover.
650 0 $aRace in motion pictures.
650 0 $aRace awareness in motion pictures.
650 0 $aAfrican Americans in motion pictures.
650 0 $aMinorities in motion pictures.
650 0 $aMotion pictures in education$zUnited States.
650 0 $aEthnographic films$zUnited States.
650 0 $aAmateur films$zUnited States.
650 7 $aAfrican Americans in motion pictures.$2fast$0(OCoLC)fst00799733
650 7 $aAmateur films.$2fast$0(OCoLC)fst00806665
650 7 $aEthnographic films.$2fast$0(OCoLC)fst00916086
650 7 $aMinorities in motion pictures.$2fast$0(OCoLC)fst01023282
650 7 $aMotion pictures in education.$2fast$0(OCoLC)fst01027444
650 7 $aRace awareness in motion pictures.$2fast$0(OCoLC)fst01086464
650 7 $aRace in motion pictures.$2fast$0(OCoLC)fst01086507
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
700 1 $aField, Allyson Nadia,$d1976-$eeditor.
700 1 $aGordon, Marsha,$d1971-$eeditor.
700 1 $aStewart, Jacqueline Najuma,$d1970-$ewriter of the foreword.
776 08 $iOnline version:$tScreening race in American nontheatrical film.$dDurham : Duke University Press, 2019$z9781478005605$w(DLC) 2019012085
852 00 $bglx$hPN1995.9.R22$iS374 2019