MARC Record from marc_columbia

LEADER: 04318cam a2200577 i 4500
001 14620461
005 20210527090204.0
008 200226t20202020caua bc 000 0deng d
010 $a 2019947284
024 $a99987215354
035 $a(OCoLC)on1111944804
040 $aYDX$beng$erda$cYDX$dYUS$dOCLCO$dSFR$dYDXIT$dOCLCF$dVZZ$dCAM$dVT2$dOCLCO$dDLC$dAS0
020 $a0300248504
020 $a9780300248500
035 $a(OCoLC)1111944804
050 4 $aTR680$b.B49 2020
082 04 $a779.092$223
100 1 $aBey, Dawoud,$d1953-$ephotographer,$eartist.
245 10 $aDawoud Bey :$btwo American projects /$cCorey Keller and Elisabeth Sherman ; with contributions from Torkwase Dyson, Steven Nelson, Imani Perry, Claudia Rankine.
246 30 $aTwo American projects
264 1 $aSan Francisco, CA :$bSan Francisco Museum of Modern Art ;$aNew Haven, CT :$bYale University Press,$c[2020]
264 4 $c©2020
300 $a126 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalogue published on the occasion of the exhibition Dawoud Bay: an American project held at the San Francisco Museum of Modern Art, February 15-May 25, 2020; the High Museum of Art, Atlanta, June 27-October 18, 2020; the Whitney Museum of American Art, New York, November 20, 2020-April 4, 2021.
520 8 $aDawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's Sixteenth Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present.
505 0 $aDirectors' forewords / Neal Benezra and Adam D. Weinberg -- Now is the time / Corey Keller and Elisabeth Sherman -- Dawoud Bey's historical turn / Steven Nelson -- Plates: Night coming tenderly, black -- To fling my arms wide on: On Night coming tenderly, Black / Claudia Rankine -- Black compositional thought: black hauntology, plantationocene, and paradoxical form / Torkwase Dyson -- Plates: The Birmingham project -- Familiar grace / Imani Perry.
504 $aIncludes bibliographical references.
600 10 $aBey, Dawoud,$d1953-$vExhibitions.
600 17 $aBey, Dawoud,$d1953-$2fast$0(OCoLC)fst00359008
650 0 $aPhotography, Artistic$vExhibitions.
650 0 $aPortrait photography$vExhibitions.
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 7 $aPortrait photography.$2fast$0(OCoLC)fst01072259
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aKeller, Corey,$eauthor.
700 1 $aSherman, Elisabeth$c(Museum curator),$eauthor.
700 1 $aDyson, Torkwase,$econtributor.
700 1 $aNelson, Steven,$d1962-$econtributor.
700 1 $aPerry, Imani,$d1972-$econtributor.
700 1 $aRankine, Claudia,$d1963-$econtributor.
710 2 $aSan Francisco Museum of Modern Art,$ehost institution,$epublisher.
710 2 $aHigh Museum of Art,$ehost institution.
710 2 $aWhitney Museum of American Art,$ehost institution.
740 0 $aDawoud Bey, an American project.
852 00 $boff,fax$hTR680$i.B49 2020g
852 0 $bbar$hTR680$i.B49 2020