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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:34743619:2912
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:34743619:2912?format=raw

LEADER: 02912cam a2200445Ia 4500
001 14621476
005 20200721093759.0
008 200121s2020 dk ac b 001 0 eng d
035 $a(OCoLC)on1129258293
040 $aERASA$beng$cERASA$dYDX$dJPG$dOHX$dOCLCF$dOCLCQ$dCHVBK$dOCLCO
020 $a9788771843514
020 $a8771843515
035 $a(OCoLC)1129258293
050 4 $aNX650.L54$bD43 2020
082 04 $a111.85
049 $aZCUA
245 00 $aDead or alive! :$btracing the animation of matter in art and visual culture /$cedited by Gunhild Borggreen, Maria Fabricius Hansen, Rosanna Tindbæk.
246 30 $aTracing the animation of matter in art and visual culture
260 $aAarhus N :$bAarhus University Press,$c©2020.
300 $a425 pages (some folded) :$billustrations (chiefly color), portraits ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aThe image is an ontological paradox; it is made of dead matter, yet appears to be alive. For centuries, artists have created images of the living world? images that are static and yet possess the power to bring to life a frozen moment in time. While this tension has constituted a fundamental challenge for as long as theories on the nature of images have existed, recent scholarship has rekindled interest in the question of what images?do to us?. Despite the rational discourse of Modernity, we must acknowledge that we view images as half-living entities.00'Dead or Alive!' addresses the perpetual relevance of images? enigmatic life-likeness. Each of the twelve chapters, written by scholars of art history and visual culture, conveys how the materiality of images generates this powerful effect of animation. Covering a wide range of practices, from early paleolithic stone engravings, medieval tomb sculpture, renaissance death masks and baroque painting to modern fashion, park design, early cinema, robots and bio art, the book demonstrates that the ontological paradox of the image is not limited to a specific historical period or certain types of images, but can be seen throughout the history of images across different cultures.
650 0 $aLife in art.
650 0 $aArt$xHistory.
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aLife in art.$2fast$0(OCoLC)fst00998284
650 7 $aAbbild$2gnd$0(DE-588)4604932-0
650 7 $aAnimation$2gnd$0(DE-588)4135878-8
650 7 $aKunst$2gnd$0(DE-588)4114333-4
650 7 $aMaterialität$2gnd$0(DE-588)4512697-5
650 7 $aOntologie$2gnd$0(DE-588)4075660-9
650 7 $aParadoxon$2gnd$0(DE-588)4044593-8
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aBorggreen, Gunhild.
700 1 $aHansen, Maria Fabricius.
700 1 $aTindbæk, Rosanna.
852 00 $bfaxlc$hNX650.L54$iD43 2020g