MARC Record from marc_columbia

LEADER: 04071cam a2200517Ii 4500
001 14621505
005 20200721122402.0
008 200227t20182018dk ac bc 000 0ddan d
035 $a(OCoLC)on1073039705
040 $aUKTTE$beng$erda$cUKTTE$dOCLCO$dOHX$dERASA$dJPG$dOCLCF
020 $a9788788307887
020 $a8788307883$q(hf.)
035 $a(OCoLC)1073039705
041 0 $adan$aeng
043 $ae-dk---
050 4 $aN7255.F53$bK352 2018
080 $aKAIKKO
082 04 $a700.411
049 $aZCUA
245 00 $aKaarina Kaikkonen :$byou remain in me /$credaktor = editor, Caroline Nymark Zachariassen ; tekst = text, Gitte Ørskou & Stinna Toft.
246 30 $aYou remain in me
264 1 $a[Aalborg] :$bKunsten,$c[2018]
264 4 $c©2018
300 $a231 pages :$bcolor illustrations, portraits ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
518 $aPublished on the occasion of an exhibition held at Kunsten Museum of Modern Art, Aalborg, 9 May - 16 September 2018.
520 $aKunsten is delighted to present the first solo show in a Danish art museum of work by the Finnish artist, Kaarina Kaikkonen (b. 1952). It is also the first solo show of work by a Finnish artist since the reopening of Kunsten, the only museum in the world designed by the Finnish starchitect, Alvar Aalto. For Kunsten the artist has created two massive installations exclusively for the Museum: one outdoor and one indoor work. Kunsten's Main Gallery will feature a work, which uses the space as a cathedral of light, while the Sculpture Park will feature a work that enters into a dialogue with the surrounding nature and the architectural setting. Both works entail impressive, time-consuming work and require a large number of people. They involve a myriad of shirts donated by people for the project and the technical installation of the huge outdoor work, which starts in the surrounding woods and ends in the Museum's Sculpture Park. Can art be at once intimate and social, fragile and powerful? Kaarina Kaikkonen reconciles opposites in her huge, spectacular and sensuous works, which move people and tackle the subject of existence. Kaarina Kaikkonen stubbornly insists that materials can tell stories, and the existential depth of her works is often rooted in the artist's own personal stories: for example, the loss, first of her father and then of her mother. The artist transforms these stories into universal tales of loss, life, death, memory, love and hope. Generally Kaarina Kaikkonen's works are made up of recycled materials: for example, used shirts, skis or dance shoes. She assembles them into gigantic installations that cast a spell over viewers with an immediate and overwhelming beauty. Kaikkonen is already represented in Kunsten's collection by the work, Queen of the Night, so maybe you are already familiar with her talent for transforming a shoe into an insect or a flower that is at once beautiful, unsettling and enticing?--Kunsten Museum of Modern Art website.
546 $aDanish and English text.
600 10 $aKaikkonen, Kaarina,$d1952-$vExhibitions.
650 0 $aInstallations (Art)$zDenmark$zÅlborg$vExhibitions.
600 17 $aKaikkonen, Kaarina,$d1952-$2fast$0(OCoLC)fst01967374
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
651 7 $aDenmark$zÅlborg.$2fast$0(OCoLC)fst01212032
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aZachariassen, Caroline Nymark,$eeditor.
700 1 $aØrskou, Gitte,$ewriter of supplementary textual content.
700 1 $aToft, Stinna,$ewriter of supplementary textual content.
700 12 $aKaikkonen, Kaarina,$d1952-$tWorks.$kSelections.
710 2 $aKUNSTEN Museum of Modern Art Aalborg (Ålborg, Denmark),$ehost institution.
730 02 $aKaarina Kaikkonen.
730 02 $aKaarina Kaikkonen.$lEnglish.
852 00 $bfaxlc$hN7255.F53$iK352 2018g