MARC Record from marc_columbia

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001 14660364
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024 7 $a10.4324/9780203977279.$2doi
024 8 $a9786610138562
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037 $a13856$bMIL
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050 4 $aPN1995.9.N33$bC56 2000eb
055 13 $aPN1995.9.N33$bC56 2000eb
072 7 $aPER$x004040$2bisacsh
082 04 $a791.43/658$221
084 $aAP 47000$2rvk
049 $aZCUA
245 00 $aCinema and nation /$cedited by Mette Hjort and Scott MacKenzie.
260 $aLondon ;$aNew York :$bRoutledge,$c2000.
300 $a1 online resource (xvi, 332 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
504 $aIncludes bibliographical references and indexes.
505 00 $tThe sociological scope of 'national cinema' /$rPhilip Schlesinger --$tFrank Capra meets John Doe : anti-politics in American national identity /$rCharles Lindholm,$rJohn A. Hall --$tImages of the nation : cinema, art and national identity /$rAnthony Smith --$tThe limiting imagination of national cinema /$rAndrew Higson --$tNational cinema : a theoretical assessment /$rIan Jarvie --$tFraming national cinemas /$rSusan Hayward --$tThemes of nation / Mette Hjort --$tCinematic nation-building : Eisenstein's The old and the new /$rNoël Carroll,$rSally Banes --$tThe nation vanishes : European co-productions and popular genre formulae in the 1950s and 1960s /$rTim Bergfelder --$tThe new Scottish cinema /$rDuncan Petrie --$tIndonesia : the movie /$rMartin Roberts --$tNotes on Polish cinema, nationalism and Wajda's Holy week /$rPaul Coates --$tDeep nation : the national question and Turkish cinema culture /$rKevin Robins,$rAsu Aksoy --$tFragmenting the nation : images of terrorism in Indian popular cinema /$rSumita S. Chakravarty --$tMimetic nationhood : ethnography and the national /$rScott MacKenzie --$tFrom new German cinema to the post-wall cinema of consensus /$rEric Rentschler --$tContemporary cinema : between cultural globalisation and national interpretation /$rUlf Hedetoft --$tBirthing nations /$rJane M. Gaines.
588 0 $aPrint version record.
520 $aCinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
650 0 $aNational characteristics in motion pictures.
650 0 $aMotion picture industry$xGovernment policy.
650 0 $aMotion pictures$xPolitical aspects.
650 6 $aCaractéristiques nationales au cinéma.
650 6 $aCinéma$xIndustrie$xPolitique gouvernementale.
650 6 $aCinéma$xAspect politique.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aMotion picture industry$xGovernment policy.$2fast$0(OCoLC)fst01027165
650 7 $aMotion pictures$xPolitical aspects.$2fast$0(OCoLC)fst01027353
650 7 $aNational characteristics in motion pictures.$2fast$0(OCoLC)fst01033336
650 7 $aNation$2gnd
650 7 $aFilm$2gnd
650 7 $aNational characteristics in motion pictures.$2nli
650 7 $aMotion picture industry$xGovernment policy.$2nli
650 7 $aMotion pictures$xPolitical aspects.$2nli
653 $aTheatre, Film and Television Studies
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aHjort, Mette.
700 1 $aMacKenzie, Scott,$d1967-
776 08 $iPrint version:$tCinema and nation.$dLondon ; New York : Routledge, 2000$w(DLC) 00036636
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14660364$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS