MARC Record from marc_columbia

LEADER: 03445cam a2200493 i 4500
001 14565878
005 20200127100514.0
008 190415s2020 caua b 001 0 eng c
010 $a 2019015939
024 $a40029676620
035 $a(OCoLC)on1098232654
040 $aJPG/DLC$beng$erda$cDLC$dOCLCF$dYDX$dOCLCQ$dMNG$dYDX
019 $a1089569642
020 $a9781606065945$qpaperback
020 $a1606065947$qpaperback
035 $a(OCoLC)1098232654$z(OCoLC)1089569642
042 $apcc
050 00 $aND1105.N6$bD74 2020
082 00 $a759.994$223
100 1 $aDredge, Paula,$eauthor.
245 10 $aSidney Nolan :$bthe artist's materials /$cPaula Dredge ; with contributions by Anne Carter and Gillian Osmond.
264 1 $aLos Angeles :$bThe Getty Conservation Institute,$c[2020]
300 $avii, 135 pages :$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe artist's materials
520 $a"The first comprehensive study of Sidney Nolan's methods and techniques and the sixth book in the Artist's Materials series, which explores the unique and unconventional materials used by contemporary artists and the challenges encountered by professionals tasked with conserving their works"--Provided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aSt. Kilda Reflections: 1938-1941 -- Artist's oil, boot polish, and blotting paper -- Set design -- Gloss paint -- Nitrocellulose lacquer -- Wartime Wimmera: 1942-1944 -- Drafted -- Diaries and letters -- Dulux -- Wartime supports -- Nolan's Ripolin -- Sheffield exhibitions -- Postwar Kelly: 1945-1947 -- Ripolin -- An anomaly -- Queensland journeys: 1947 (with Anne Carter and Gillian Osmond) -- Painting on Fraser Island -- Nolan's salvaged masonite on Fraser Island -- Mrs. Fraser, 1947 -- Sydney -- Sydney and London success: 1948-1982 -- The Wahroonga Studio -- Driers -- London -- Polyvinyl acetate (PVA) -- Helizarin dyes -- Artist's oil paints and alkyd gel medium -- The last studio: 1983-1992 -- Remnants of Australia -- Ripolin -- Spray cans -- A return to oil -- Observations on condition and conservation -- Appendix 1. Analysis of Nolan's paints in works from 1939 to 1964, with methods of analysis -- Appendix 2. Analysis of a selection of Nolan's materials from the Wahroonga and Rodd studios, with methods of sampling and analysis -- Analysis of a selection of Nolan's Wahroonga studio materials -- Analysis of drying oils and resins in a selection of Nolan's Ripolin paints from the Wahroonga studio -- Analysis of a selection of paints from the Rodd studio -- Appendix 3. Works of art sampled.
600 10 $aNolan, Sidney,$d1917-1992.
650 0 $aPainting, Modern$y20th century$xTechnique.
650 0 $aPaint materials$xAnalysis.
650 0 $aArtists' materials$xAnalysis.
600 17 $aNolan, Sidney,$d1917-1992.$2fast$0(OCoLC)fst00001298
650 7 $aArtists' materials$xAnalysis.$2fast$0(OCoLC)fst00817675
650 7 $aPaint materials$xAnalysis.$2fast$0(OCoLC)fst01050473
650 7 $aPainting, Modern$xTechnique.$2fast$0(OCoLC)fst01051016
648 7 $a1900-1999$2fast
700 1 $aCarter, Anne$c(Conservator),$econtributor.
700 1 $aOsmond, Gillian,$econtributor.
710 2 $aGetty Conservation Institute,$eissuing body.
830 0 $aArtist's materials.
852 00 $bfaxlc$hND1105.N6$iD74 2020