| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:51697790:4746 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:51697790:4746?format=raw |
LEADER: 04746cam a2200733 a 4500
001 14666898
005 20220703231953.0
006 m o d
007 cr bn||||||abp
007 cr bn||||||ada
008 100407s1995 miua ob s001 0 eng d
010 $z 95159696
035 $a(OCoLC)ocn605217452
035 $a(NNC)14666898
040 $aOCLCE$beng$epn$cOCLCE$dOCLCQ$dOCLCO$dOCLCQ$dE7B$dOCLCQ$dOCLCF$dTYFRS$dOCLCQ$dOTZ$dCOCUF$dUAB$dOCLCQ$dCEF$dFVL$dOCLCQ$dCANPU$dU3W$dLEAUB$dCNTRU$dMT4IT$dOCLCQ$dVT2$dK6U$dOCLCO$dSFB$dOCLCQ$dOCLCO
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020 $a9780203442098
020 $a0203442091
020 $a9781134746477$q(e-book ;$qMobi)
020 $a1134746474
020 $a9781134746514$q(e-book ;$qePub)
020 $a1134746512
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020 $z9781138141124$q(hardback)
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024 7 $a10.4324/9780203442098$2doi
027 $aMYILIB_CUp
035 $a(OCoLC)605217452$z(OCoLC)609960148$z(OCoLC)994718317$z(OCoLC)1003690228$z(OCoLC)1011003471$z(OCoLC)1038517762$z(OCoLC)1043477518$z(OCoLC)1044305705$z(OCoLC)1048179954$z(OCoLC)1056383708$z(OCoLC)1059779151$z(OCoLC)1060902760$z(OCoLC)1074331507$z(OCoLC)1078867898$z(OCoLC)1081138064$z(OCoLC)1082194000$z(OCoLC)1097343433$z(OCoLC)1099561553$z(OCoLC)1100550209$z(OCoLC)1107371966$z(OCoLC)1119034395$z(OCoLC)1119040194$z(OCoLC)1120181084$z(OCoLC)1257348451$z(OCoLC)1257358712$z(OCoLC)1260362635$z(OCoLC)1286906163
042 $adlr
043 $aff-----$ae------$aaw-----$ae-uk---
050 4 $aN5843.A1$bH46 1995
082 04 $a709/.362$220
084 $a20.62$2bcl
049 $aZCUA
100 1 $aHenig, Martin.
245 14 $aThe art of Roman Britain /$cMartin Henig.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c1995.
300 $a1 online resource (224 pages) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 204-212) and index.
505 0 $aThe Art of the Celts -- Art in the era of the Conquest -- Art and the Roman Army -- The Uses of art in Roman Britain -- Artists and Natives and Strangers in Roman Britain -- Artists and Their Patrons -- Art in Late Roman Britain -- Attitudes to the Art of Roman britain.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
520 1 $a"With the help of over 100 illustrations, many of them little known, Dr Henig shows that the art produced in Britannia - particularly in the golden age of Late Antiquity - not only rivals that of other provinces but deserves comparison with the art of metropolitan Rome. After showing how a distinctive style emerged from the fusion of the Celtic and Roman traditions, he details the vital part played by art in the daily life of both the army and the civilian population. He also distinguishes carefully between the work of foreign artists in Britain, Romano-British and Romano-Gaulish provincial art (as well as other provincial styles) and the native British work of the period."--Jacket
650 0 $aArt, Roman$zGreat Britain.
650 0 $aArt, Roman$xCeltic influences.
650 6 $aArt romain$zGrande-Bretagne.
650 7 $aArt, Roman.$2fast$0(OCoLC)fst00816806
650 7 $aArt, Roman$xCeltic influences.$2fast$0(OCoLC)fst00816807
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
650 7 $aArt romain$zGrande-Bretagne.$2ram
655 4 $aElectronic books.
776 08 $iPrint version:$aHenig, Martin.$tArt of Roman Britain.$dAnn Arbor : University of Michigan Press, 1995$w(DLC) 95159696$w(OCoLC)32932180
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14666898$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS