MARC Record from marc_columbia

LEADER: 04119cam a2200829Ka 4500
001 14669092
005 20200430222800.0
006 m o d
007 cr cnu---unuuu
008 100920s2010 maua ob 001 0 eng d
035 $a(OCoLC)647909874
035 $a(OCoLC)ocn647909874
035 $a(NNC)14669092
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020 $a9780240814322$q(electronic bk.)
020 $a0240814320$q(electronic bk.)
020 $a9781136046094
020 $a1136046097
020 $a0240813308
020 $a9780240813301
020 $a9780080958422$q(electronic bk.)
020 $a0080958427$q(electronic bk.)
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020 $a9781136046100$q(e-book ;$qPDF)
020 $a1136046100
020 $a9781136046056$q(e-book ;$qMobi)
020 $a1136046054
020 $a9781138468801$q(hardback)
020 $a1138468800
037 $aCL0500000328$bSafari Books Online
050 4 $aTK7881.4$b.H63 2010eb
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082 04 $a778.5/2344$222
084 $aAP 51450$2rvk
084 $aAP 56200$2rvk
049 $aZCUA
100 1 $aHolman, Tomlinson.
245 10 $aSound for film and television /$cTomlinson Holman.
250 $a3rd ed.
260 $aBurlington, MA :$bFocal Press,$c©2010.
300 $a1 online resource (xiii, 248 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aCh. 1. Objective sound -- ch. 2. Psychoacoustics -- ch. 3. Audio fundamentals -- ch. 4. Capturing sound -- ch. 5. Microphone technicalities -- ch. 6. Handling the output of microphones -- ch. 7. Production sound mixing -- ch. 8. Sync, sank, sunk -- ch. 9. Transfers -- ch. 10. Sound design -- ch. 11. Editing -- ch. 12. Mixing -- ch. 13. From print masters to exploitation.
520 $aSound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science. This new edition has been completely updated to reflect the latest advances in HD technology, new hardware and software systems, new distribution methods, wireless sound capture, and more. Also, analog-related content has been reduced and transferred.
650 0 $aSound$xRecording and reproducing.
650 0 $aSound motion pictures.
650 0 $aVideo recording.
650 0 $aMotion pictures$xSound effects.
650 0 $aTelevision broadcasting$xSound effects.
650 7 $aPHOTOGRAPHY$xTechniques$xCinematography & Videography.$2bisacsh
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aMotion pictures$xSound effects.$2fast$0(OCoLC)fst01027388
650 7 $aSound motion pictures.$2fast$0(OCoLC)fst01127008
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 7 $aTelevision broadcasting$xSound effects.$2fast$0(OCoLC)fst01146768
650 7 $aVideo recording.$2fast$0(OCoLC)fst01166452
650 7 $aAudiotechnik$2gnd
650 07 $aFernsehen.$2swd
650 07 $aFilm.$2swd
650 7 $aLjudinspelning.$2sao
650 7 $aLjudfilm.$2sao
650 7 $aLjudeffekter.$2sao
655 4 $aElectronic books.
776 08 $iPrint version:$aHolman, Tomlinson.$tSound for film and television.$b3rd ed.$dBurlington, MA : Focal Press, ©2010$z9780240813301$w(DLC) 2009044200$w(OCoLC)465329597
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14669092$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS