MARC Record from marc_columbia

LEADER: 06677cam a2200613Ma 4500
001 14679382
005 20210607110558.0
006 m o d
007 cr |n|||||||||
008 121211s2013 maua o 001 0 eng d
010 $a 2012043270
035 $a(OCoLC)ocn842900722
035 $a(NNC)14679382
040 $aIDEBK$beng$epn$cIDEBK$dE7B$dUMI$dOCLCQ$dDEBSZ$dOCLCF$dTYFRS$dCOO$dYDXCP$dOCLCQ$dZ5A$dMOR$dOCLCQ$dCEF$dAU@$dWYU$dUAB$dG3B$dS9I$dUKAHL$dOCLCQ$dC6I$dYDX$dVT2
019 $a859349403$a988475976$a1058521321$a1065978619$a1097103805$a1192341341
020 $a1299279082$q(ebk)
020 $a9781299279087$q(ebk)
020 $a9781136135972
020 $a1136135979
020 $a0240812395
020 $a9780240812397
020 $a9780080962177$q(e-book)
020 $a0080962173$q(e-book)
020 $z9780240812397
035 $a(OCoLC)842900722$z(OCoLC)859349403$z(OCoLC)988475976$z(OCoLC)1058521321$z(OCoLC)1065978619$z(OCoLC)1097103805$z(OCoLC)1192341341
037 $a459158$bMIL
050 4 $aNC1765$b.H34 2013eb
082 04 $a777/.7$223
049 $aZCUA
100 1 $aHayes, Derek.
245 10 $aActing and performance for animation /$cDerek Hayes, Chris Webster.
260 $aBurlington, MA :$bFocal Press,$c2013.
300 $a1 online resource (xx, 197 pages) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aPrint version record.
505 0 $a1. Aspects of Acting for Animation -- 2. Types of Performance -- 3. Format, Genre, and Audience -- 4. Character and Personality -- 5. Principles of Performance -- 6. Making a Performance -- 7. Scene Composition -- 8. Working with Actors.
505 00 $tIntroduction --$tAnimation Principles --$tBecoming an Animator --$tBecoming an Actor --$tBecoming a Storyteller --$tBecoming a Creative Practitioner --$g1.$tAspects of Acting for Animation --$tCreative Approaches to Animation --$tSimulation --$tRepresentation --$tInterpretation --$tStory, Story, Story --$tWorking with an Existing Script --$tWriting Your Own Script --$tCinematography and Editing --$tMise-en-Scene --$tMontage --$tEnvironment and Screen Space --$tThe Setting --$tScreen Format --$tSound --$tCharacter --$tSummary --$g2.$tTypes of Performance --$tStanislavski's System --$tStudy --$tEmotional Memory --$tAnalyzing the Script and the "Magic If" --$tMotivation --$tObjectives --$tObstacles --$tTools or Methods --$tActions --$tMethod Acting --$tNaturalism and Reality --$tEpic Theatre --$tComedy --$tSummary --$g3.$tFormat, Genre, and Audience --$tAudiences --$tKnow Your Audience --$tTarget Your Audience --$tGenre --$tComedy --$tDrama --$tDocumentary --$tFormat --$tFeatures --$tShort Form --$tTelevision --$tTV Series --$tInternet --$tHand-Held Devices --$tCorporate Video --$tGames --$tCommercials --$tSummary --$g4.$tCharacter and Personality --$tCharacter Development --$tFormats --$tViewing Environment --$tBudget --$tAnimator as Actor --$tKnow Your Characters --$tPhysicality of Characters --$tCharacter Design --$tThe Animation Bible --$tCharacter Types --$tCharacter and Personality --$tRelationships --$tDynamics of Character Interaction-Every Hero Needs a Villain --$tSummary --$g5.$tPrinciples of Performance --$tEmpathy and Engagement --$tWhy Empathy is Important --$tIdentification and Lack of Empathy --$tEngaging the Audience --$tEmpathy for the Villain --$tMotivation --$tWants and Needs --$tWhat Are You Trying to Say? --$tProps --$tSummary --$g6.$tMaking a Performance --$tBody Language --$tCharacter Interaction --$tEffort --$tSilence --$tReflex and Other Physical Reactions --$tComedy Performance --$tSummary --$g7.$tScene Composition --$tPlanning a Scene --$tStoryboards --$tThumbnail or Rough Storyboards --$tPresentation Storyboards --$tWorking Storyboards --$tThe Animatic --$tTiming --$tPacing --$tPhrasing --$tAnimation Timing --$tPreparing the Shot-Layouts --$tOverlays --$tUnderlays --$tField Guides --$tCharacter Layouts --$tBar Charts and Dope Sheets --$tBlocking Out Animation and Action --$tScene Dynamics and Screen Space --$tRehearsing Action for Performance --$tSummary --$g8.$tWorking with Actors --$tThe Voices --$tCasting --$tCartoony or Non-Cartoony Voices? --$tThe Rehearsal --$tThe Recording --$tBe Open to Change --$tHow to Talk to Actors --$tVerbs --$tLine Readings --$tFeedback --$tA Few Extra Thoughts --$tLive Action and Animation --$tMotion Capture --$tSummary.
520 $a"Character animation involves more than the principles of animation and the mechanics of motion. Unique, believeable characters that think, feel and captivate your audience are ones that involve emotion, performance, personality, acting and story. Successful animators balance all of these elements within a single character and narrative. With Acting and Performance for Animation, discover how to create dynamic, dramatic performances and believeable character interaction. An invaluable resource for animators, Acting and Performance for Animators is a practical guide to the variety of performance techniques relevant to animators. Develop believable character interactions with chapters detailing the principles of performance, performance types, character emotion and personality, physical and psychological performance, and scene composition. Analyze scripts, sound, acting, action and performance with the practical hints and tips, hands-on assignments and animated examples featured in an extensive guide for animators working in film, TV, games and commercials. Explore different performance techniques based upon the experiences of seasoned animators with case studies featuring John Lasseter, Ray Harryhausen, Nick Park, Joanna Quinn. Expand your own performance techniques with the accompanying DVD which will feature live action reference shorts, production stills, animated examples, and further hands-on assignments"--EBL.
650 0 $aAnimated films.
650 0 $aMotion picture acting.
650 0 $aAnimation (Cinematography)
650 7 $aART / Film & Video.$2bisacsh
650 7 $aPHOTOGRAPHY / Techniques / Cinematography & Videography.$2bisacsh
650 7 $aAnimated films.$2fast$0(OCoLC)fst00809611
650 7 $aAnimation (Cinematography)$2fast$0(OCoLC)fst00809628
650 7 $aMotion picture acting.$2fast$0(OCoLC)fst01027093
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aWebster, Chris,$d1954-
776 08 $iPrint version:$z0240812395$w(DLC) 2012043270
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14679382$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS