| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:62937280:2889 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:62937280:2889?format=raw |
LEADER: 02889cam a2200577Ia 4500
001 14683227
005 20210607113738.0
006 m o d
007 cr |n|||||||||
008 020918s2003 nyua obm 001 0 eng d
035 $a(OCoLC)ocn861485478
035 $a(NNC)14683227
040 $aIDEBK$beng$epn$cIDEBK$dOCLCO$dOCLCF$dOCLCO$dTYFRS$dE7B$dYDXCP$dOCLCO$dOCLCQ$dOCLCO$dUPP$dMOR$dOCLCQ$dOCLCO$dOCLCQ$dOCL$dEZ9
019 $a868972437$a988443940$a1190692340
020 $a1299997422$q(ebk)
020 $a9781299997424$q(ebk)
020 $a9780203954348$q(e-book)
020 $a0203954343$q(e-book)
020 $z0415943280$q(alk. paper)
020 $z9780415943284
020 $a9781135382049$q(e-book)
020 $a1135382042
035 $a(OCoLC)861485478$z(OCoLC)868972437$z(OCoLC)988443940$z(OCoLC)1190692340
037 $a530993$bMIL
050 4 $aML3712$b.C43 2003eb
082 04 $a781.62/610468/082$221
049 $aZCUA
100 1 $aChuse, Loren.
245 14 $aThe cantaoras :$bmusic, gender, and identity in flamenco song /$cLoren Chuse.
260 $aNew York :$bRoutledge,$c2003.
300 $a1 online resource (xiii, 316 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aCurrent research in ethnomusicology ;$vv. 7
502 $aExpanded and rev. version of the author's doctoral dissertation--University of California, Los Angeles.
504 $aIncludes bibliographical references (pages 305-310) and index.
588 0 $aPrint version record.
505 0 $aCh. 1. Andalusian journey : an introduction -- chapter 2. Traditional and innovative musical practice in Flamenco -- chapter 3. Nineteenth- and early twentieth-century cantaoras -- chapter 4. Social and political conditions for cantaoras in twenthieth-century Spain -- chapter 5. The cantaora today -- chapter 6. La Herencia : traditions of flamenco in Lebrija and Granada -- chapter 7. Women and the guitarra flamenca -- chapter 8. The flamenco copla : themes, archetypes, stereotypes -- chapter 9. The social construction of flamenco identity -- chapter 10. Identity, aesthetics, and emotion.
650 0 $aFlamenco music$xHistory and criticism.
650 0 $aWomen flamenco musicians.
650 7 $aFlamenco music.$2fast$0(OCoLC)fst00927004
650 7 $aWomen flamenco musicians.$2fast$0(OCoLC)fst01177687
655 7 $aAcademic theses.$2fast$0(OCoLC)fst01726453
655 4 $aElectronic books
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aAcademic theses.$2lcgft
776 08 $iPrint version:$z0415943280$w(DLC) 2002190800
830 0 $aCurrent research in ethnomusicology ;$vv. 7.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14683227$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS