MARC Record from marc_columbia

LEADER: 05795cam a2200937Ki 4500
001 14683472
005 20201023163223.0
006 m o d
007 cr cnu---unuuu
008 131029s2002 nyu ob 001 0 eng d
010 $a 2001019949
035 $a(OCoLC)ocn861692382
035 $a(NNC)14683472
040 $aN$T$beng$erda$epn$cN$T$dOCLCA$dTYFRS$dYDXCP$dEBLCP$dOCLCQ$dOL$$dOCLCA$dYDX$dOCLCO$dOCLCA$dLEAUB$dOCLCA$dUKAHL$dOCLCQ$dOCLCO$dOCLCA$dOCLCQ
019 $a870591707$a1124387303
020 $a9781135207786$q(electronic bk.)
020 $a113520778X$q(electronic bk.)
020 $a9780203699867$q(electronic bk.)
020 $a0203699866$q(electronic bk.)
020 $z0415930162
020 $z9780415930161
020 $z0415930170
020 $z9780415930178
020 $a9781135207779$q(e-book)
020 $a1135207771
035 $a(OCoLC)861692382$z(OCoLC)870591707$z(OCoLC)1124387303
050 4 $aML3858$b.Z59 2002eb
072 7 $aMUS$x042000$2bisacsh
072 7 $aMUS$x052000$2bisacsh
072 7 $aMUS$x037110$2bisacsh
082 04 $a782.1/092/2$222
084 $a24.20$2bcl
084 $aLP 40428$2rvk
084 $a9,2$2ssgn
049 $aZCUA
100 1 $aŽižek, Slavoj.
245 10 $aOpera's second death /$cSlavoj Žižek and Mladen Dolar.
264 1 $aNew York :$bRoutledge,$c2002.
300 $a1 online resource (ix, 235 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 227-231) and index.
505 00 $tIntroduction: for the Love of Opera /$rSlavoj Zizek, Mladen Dolar --$tIf Music be the Food of Love /$rMladen Dolar --$tThe Birth of Opera from the Spirit of Absolutism --$tAcheronta movebo --$tThe Logic of Mercy --$tOpera buffa --$tSyntax --$tDie Entfuhrung aus dem Serail --$tFigaro --$tDon Giovanni --$tThe Opera in Philosophy: Mozart and Kierkegaard --$tLa femme machine --$tMachine in Love --$tA Philosopher in the Opera --$tMachine and Enjoyment --$tThe Rationalistic Myth of the Enlightenment --$tHe Is a Man--Even More, He Is a Prince --$tThree Continuations --$tIntermission --$t"I do Not Order My Dreams" /$rSlavoj Zizek --$tThe Death Drive and the Wagnerian Sublime --$tThe Forced Choice --$tThe Disavowal --$t"Deeper Than the Day Could Read" --$tThe What-Ifs --$tTristan's Journey to the Bottom of the Night --$tTransgression? No, Thanks! --$tWagner's Sexualized Politics --$tThe Moebius Strip --$t"The Everlasting Irony of Community" --$tWagner with Kierkegaard --$tKundry's Laughter ... --$t... and Her Kiss --$tThe Feminine versus Woman --$tInterlude / The Feminine Excess --$tRun, Isode, Run --$tThe Cyberspace Tristan --$tThe Morning After --$t"It quacks, hoots, pants, and gasps" --$tThe Separated Flames --$tNo More Running.
520 $aOperas are about the meaning of love and life, and also very much about the meaning of death. Opera as a form, however, might even be dead itself. The last great operas are said to be those written around 1900. But, the psychoanalytic critic and philosopher Slavoj Zizek is quick to point out, 1900 is also the year in which Freud 'invents' psychoanalysis. Can this be a coincidence? Opera's Second Death is a passionate exploration of opera---the genre, its masterpieces, and the nature of death. Using a dazzling array of tools, Slavoj Zizek and coauthor Mladen Dolar explore the strange compulsions that overpower characters in Mozart and Wagner, as well as our own desires to die and to go to the opera. Mozart's understanding of psychoanalysis and Wagner's sense of humor are but two of the many surprises in Zizek and Dolar's operatic tour de force. Opera's Second Death is an extended aria on a subject that is far from dead [Publisher description].
588 0 $aPrint version record.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791$xThemes, motives.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tOperas.
600 10 $aWagner, Richard,$d1813-1883$xThemes, motives.
600 10 $aWagner, Richard,$d1813-1883.$tOperas.
600 16 $aMozart, Wolfgang Amadeus,$d1756-1791$xThèmes, motifs.
600 16 $aMozart, Wolfgang Amadeus,$d1756-1791.$tOpéras.
600 16 $aWagner, Richard,$d1813-1883$xThèmes, motifs.
600 16 $aWagner, Richard,$d1813-1883.$tOpéras.
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791.$2fast$0(OCoLC)fst00050702
600 17 $aWagner, Richard,$d1813-1883.$2fast$0(OCoLC)fst00040723
630 07 $aOperas (Mozart, Wolfgang Amadeus)$2fast$0(OCoLC)fst01357028
630 07 $aOperas (Wagner, Richard)$2fast$0(OCoLC)fst01356121
600 17 $aMozart, Wolfgang Amadeus$d1756-1791$2gnd
600 17 $aWagner, Richard$d1813-1883$2gnd
600 17 $aMozart, Wolfgang Amadeus.$2swd
600 17 $aWagner, Richard.$2swd
650 0 $aOpera.
650 0 $aOperas$xAnalysis, appreciation.
650 6 $aOpéra.
650 6 $aOpéras$xAnalyse et appréciation.
650 7 $aMUSIC$xInstruction & Study$xVoice.$2bisacsh
650 7 $aMUSIC$xLyrics.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xVocal.$2bisacsh
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
650 7 $aOperas$xAnalysis, appreciation.$2fast$0(OCoLC)fst01046195
650 7 $aThemes, motives.$2fast$0(OCoLC)fst01355139
650 7 $aOper$2gnd
650 17 $aOpera's.$2gtt
650 17 $aMotieven (kunst)$2gtt
650 17 $aAnalyse (algemeen)$2gtt
655 4 $aElectronic books.
700 1 $aDolar, Mladen.
776 08 $iPrint version:$aŽižek, Slavoj.$tOpera's second death$z0415930162$w(DLC) 2001019949$w(OCoLC)46731131
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14683472$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS