| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:66794676:3335 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:66794676:3335?format=raw |
LEADER: 03335cam a22006013a 4500
001 14689861
005 20210607110605.0
006 m o d
007 cr |n|||||||||
008 140526s1997 nyua ob 000 0 eng d
035 $a(OCoLC)1082227193
035 $a(OCoLC)on1082227193
035 $a(NNC)14689861
040 $aYDXCP$beng$epn$cYDXCP$dOCLCQ$dTYFRS$dOCLCQ$dOCLCO$dINARC$dOCLCA$dLEAUB$dOCLCQ$dOCLCO
020 $a1315059509$q(electronic bk.)
020 $a9781315059501$q(electronic bk.)
020 $z0878300570$q(hb)
020 $z9780878300570$q(hb)
020 $z0878300589$q(pb)
020 $z9780878300587$q(pb)
050 4 $aPN2071.F4$bG55 1997
082 04 $a792/.028$220
084 $a24.12$2bcl
049 $aZCUA
100 1 $aGirard, Dale Anthony,$d1964-
245 10 $aActors on guard :$ba practical guide for the use of the rapier and dagger for stage and screen /$cDale Anthony Girard ; illustrations by Zina Lee.
260 $aNew York :$bRoutledge,$c1997.
300 $a1 online resource (xvi, 511 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aA Theatre arts book
500 $a"A Theatre Arts book."
504 $aIncludes bibliographical references (pages 509-511).
588 0 $aPrint version record.
505 0 $a1. Safety first! : practical training techniques for the stage combatant -- 2. The sword and the stage : an introduction to the theatrical rapier -- 3. Stance and footwork : patterns of the lower body -- 4. Getting the feel of steel : holding and handling the rapier -- 5. The guards of the single rapier -- 6. The parries of the single rapier -- 7. The offensive actions of the single rapier : cut and thrust -- 8. Crossing swords : offensive and defensive interaction -- 9. Further techniques of the theatrical swashbuckler -- 10. Evasive actions -- 11. Attacking the blad : beats, pressures and Pris d'Fer -- 12. Deceptions and false play : simple compound attacks of the rapier -- 13. Closes and gripes : techniques for closer quarter combat -- 14. Coming to the point : wounds and kills with the edge and point -- 15. Adding the dagger -- 16. The guards of the rapier and dagger -- 17. The parries of the rapier and dagger -- 18. Offensive actions of the dagger -- 19. Setting the fight : two routines of staged conflict -- 20. Acting tough! : selling the illusion of stage conflict -- 21. Fighting through the production : rehearsing and running the fight.
650 0 $aStage fencing.
650 7 $aStage fencing.$2fast$0(OCoLC)fst01131313
650 17 $aActeren.$2gtt
650 17 $aSchermen (sport)$2gtt
650 17 $aGevechtstechniek.$2gtt
650 7 $aFechten$2gnd
650 7 $aAusbildung$2gnd
650 7 $aSchauspieler$2gnd
650 7 $aCombat sur scène.$2ram
650 7 $aEscrime$xAu théâtre.$2ram
650 7 $aEscrime$xAu cinéma.$2ram
650 7 $aBühne$2gnd
655 4 $aElectronic books.
776 08 $iPrint version:$aGirard, Dale Anthony, 1964-$tActors on guard.$dNew York : Routledge, 1997$z0878300570$z9780878300570$w(DLC) 96002617
830 0 $aTheatre Arts book.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14689861$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS