| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:67727874:3760 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:67727874:3760?format=raw |
LEADER: 03760cam a2200769 a 4500
001 14690663
005 20221112232303.0
006 m o d
007 cr cnu---unuuu
008 140628s2014 enk ob 001 0 eng d
035 $a(OCoLC)ocn881887611
035 $a(NNC)14690663
040 $aEBLCP$beng$epn$cEBLCP$dOCLCO$dN$T$dE7B$dOCLCQ$dOCLCF$dDEBSZ$dTYFRS$dOCLCQ$dNLE$dUKMGB$dOCLCQ$dLEAUB$dDCT$dOCLCQ$dK6U$dOCLCO$dOCLCQ
015 $aGBB8E3548$2bnb
016 7 $a018985541$2Uk
019 $a958101910$a1086490258
020 $a9781317797517$q(electronic bk.)
020 $a1317797515$q(electronic bk.)
020 $a9781315812090
020 $a1315812096
020 $a9781317797500
020 $a1317797507
020 $a9781317797494$q(e-book ;$qMobi)
020 $a1317797493
020 $a9780415236065$q(hardback)
020 $a0415236061
020 $a9781138966949$q(paperback)
020 $a1138966940
024 7 $a10.4324/9781315812090$2doi
035 $a(OCoLC)881887611$z(OCoLC)958101910$z(OCoLC)1086490258
037 $a9781317797500$bIngram Content Group
050 4 $aHV6030$b.H88 2001
072 7 $aSOC$x004000$2bisacsh
082 04 $a364$221
049 $aZCUA
100 1 $aHutchings, Peter J.
245 14 $aThe Criminal Spectre in Law, Literature and Aesthetics :$bIncriminating Subjects.
260 $aLondon :$bRoutledge,$c2014.
300 $a1 online resource (234 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge Advances in Sociology
505 0 $aCover; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgements; 1 Introduction: "This subject of ghosts"; 2 Spectacularizing crime, ghostwriting the law; 3 Mad, murderous and dangerous to know; 4 The feminine phantom: women, crime and fantasy; 5 Modern forensics: photography and other suspects; 6 The genius of crime; References; Index.
520 $aThis book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.
588 0 $aPrint version record.
504 $aIncludes bibliographical references and index.
650 0 $aCriminology$xPhilosophy.
650 0 $aCrime in popular culture.
650 0 $aCrime in literature.
650 0 $aCriminals in literature.
650 0 $aCrime in art.
650 6 $aCriminologie$xPhilosophie.
650 6 $aCriminalité dans la culture populaire.
650 6 $aCriminalité dans la littérature.
650 6 $aCriminels dans la littérature.
650 6 $aCriminalité dans l'art.
650 7 $aSOCIAL SCIENCE$xCriminology.$2bisacsh
650 7 $aCrime in art.$2fast$0(OCoLC)fst00883037
650 7 $aCrime in literature.$2fast$0(OCoLC)fst00883038
650 7 $aCrime in popular culture.$2fast$0(OCoLC)fst00883042
650 7 $aCriminals in literature.$2fast$0(OCoLC)fst00883558
650 7 $aCriminology$xPhilosophy.$2fast$0(OCoLC)fst00883576
776 08 $iPrint version:$aHutchings, Peter J.$tCriminal Spectre in Law, Literature and Aesthetics.$dLondon : Routledge, 2014$z9780415236065
830 0 $aRoutledge advances in sociology.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14690663$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS