| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:75064375:5545 |
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037 $aEBL169503$beBook Library$nhttp://www.eblib.com
050 4 $aPN1995.9.A8$bM28 1993eb
055 13 $aPN1995.9.A8$bM28 1993eb
072 7 $aPER$x004030$2bisacsh
082 04 $a791.43/015$220
084 $a24.39$2bcl
049 $aZCUA
100 1 $aMayne, Judith.
245 10 $aCinema and spectatorship /$cJudith Mayne.
260 $aLondon ;$aNew York :$bRoutledge,$c1993.
300 $a1 online resource (ix, 187 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aSightlines
504 $aIncludes bibliographical references (pages 173-182) and index.
588 0 $aPrint version record.
505 0 $aChapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE.
520 $aCinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory.
650 0 $aMotion picture audiences.
650 0 $aFilm criticism.
650 6 $aCinéma$xPublics.
650 6 $aCritique cinématographique.
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aFilm criticism.$2fast$0(OCoLC)fst00924259
650 7 $aMotion picture audiences.$2fast$0(OCoLC)fst01027116
650 17 $aFilms.$2gtt
650 17 $aPubliek.$2gtt
650 17 $aReceptie.$2gtt
653 0 $aCinema$aFilms (Motion pictures)$aAudiences
654 $aFilm and Television.
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aMayne, Judith.$tCinema and spectatorship.$dLondon ; New York : Routledge, 1993$z0415034159$w(DLC) 92024927$w(OCoLC)26161536
830 0 $aSightlines (London, England)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14701501$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS