MARC Record from marc_columbia

LEADER: 04837cam a2200589Ii 4500
001 14705225
005 20201022132128.0
006 m o d
007 cr cnu---unuuu
008 050617t20052005mau ob 001 0 eng d
035 $a(OCoLC)ocm60660369
035 $a(NNC)14705225
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020 $a142370827X$q(electronic bk.)
020 $a9781423708278$q(electronic bk.)
020 $a0080492479$q(electronic bk.)
020 $a9780080492476$q(electronic bk.)
020 $a1592783988$q(electronic bk. ;$qAdobe Reader)
020 $a9781592783984$q(electronic bk. ;$qAdobe Reader)
020 $z0240805887$q(Paper)
020 $z9780240805887
035 $a(OCoLC)60660369$z(OCoLC)63263386$z(OCoLC)63517705$z(OCoLC)144553295$z(OCoLC)276462664$z(OCoLC)647497600$z(OCoLC)858399967$z(OCoLC)1058055873
037 $beBook Library$nhttp://www.eblib.com
050 4 $aPN1996$b.C814 2005eb
072 7 $aPER$x004050$2bisacsh
082 04 $a808.2/3$222
049 $aZCUA
100 1 $aCooper, Patricia,$eauthor.
245 10 $aWriting the short film /$cPat Cooper and Ken Dancyger.
250 $aThird edition.
264 1 $aBurlington, MA :$bElsevier/Focal Press,$c2005.
264 4 $c©2005
300 $a1 online resource (ix, 359 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Part I: Fundamentals: Breaking ground. Chapter 1. Storytelling in general ; Chapter 2. Telling a story in images ; Chapter 3. Using sound to tell the story ; Chapter 4. Discovering and exploring a main character ; Chapter 5. Telling the dramatic story ; Chapter 6. Writing an original short screenplay ; Chapter 7. On revision: Substance and style -- Part II: Moving forward: Writing strategies. Chapter 8. The need for storytelling ; Chapter 9. Visualization strategies ; Chapter 10. Dramatic strategies ; Chapter 11. Characterization strategies ; Chapter 12. More on dialogue strategies -- Part III: Genres: Forming the story. Chapter 13. The melodrama ; Chapter 14. The docudrama ; Chapter 15. The hyperdrama ; Chapter 16. The experimental narrative -- Part IV: New directions. Chapter 17. The opportunity for renewal -- Appendix A. Short short screenplays. Vincent ; Sob story ; Pigeon -- Appendix B. Short screenplays. Another story ; The lady in waiting ; Sleeping beauties ; Description of location ; The wounding ; Dead letters don't die -- Index -- Last page.
520 $aThe short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion. NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films. - Publisher.
520 $aThe short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.
650 0 $aShort films$xAuthorship.
650 7 $aPERFORMING ARTS$xFilm & Video$xScreenwriting.$2bisacsh
653 0 $aScreenplays$aComposition (Arts)
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aDancyger, Ken,$eauthor.
776 08 $iPrint version:$aCooper, Patricia.$tWriting the short film.$b3rd ed.$dBurlington, MA : Elsevier/Focal Press, ©2005$z0240805887$w(DLC) 2004275545$w(OCoLC)57676748
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14705225$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS