Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:78557910:3504 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:78557910:3504?format=raw |
LEADER: 03504cam a2200649Ia 4500
001 14705315
005 20220627125023.0
006 m o d
007 cr cnu---unuuu
008 050705s1995 enka ob 001 0 eng d
010 $z 94011706
035 $a(OCoLC)ocm60803106
035 $a(NNC)14705315
040 $aN$T$beng$epn$cN$T$dOCLCQ$dYDXCP$dOCLCQ$dOCLCO$dOCLCQ$dOCLCF$dE7B$dCAUOI$dOCLCO$dOCLCQ$dOTZ$dUAB$dOCLCQ$dCOCUF$dOCLCQ$dFVL$dCANPU$dCNTRU$dMT4IT$dUKAHL$dRDF$dBRX$dLOA$dYDX$dOCLCO$dSFB$dOCLCO
019 $a647448463$a994781157$a1059788913$a1078870328$a1097335759$a1099558030$a1150851447$a1290040211
020 $a0203992539$q(electronic bk.)
020 $a9780203992531$q(electronic bk.)
020 $z0415107202$q(pbk.)
020 $a9780415107204
020 $a0415107202
020 $a1134842767
020 $a9781134842766
020 $a1134842775
020 $a9781134842773
020 $a1280144998
020 $a9781280144998
024 7 $a10.4324/9780203992531$2doi
027 $aMYILIB_CUp
035 $a(OCoLC)60803106$z(OCoLC)647448463$z(OCoLC)994781157$z(OCoLC)1059788913$z(OCoLC)1078870328$z(OCoLC)1097335759$z(OCoLC)1099558030$z(OCoLC)1150851447$z(OCoLC)1290040211
050 4 $aPN1995.9.P783$bL43 1995eb
072 7 $aPER$x004030$2bisacsh
082 04 $a791.43/01/9$222
049 $aZCUA
100 1 $aLebeau, Vicky,$d1963-
245 10 $aLost angels :$bpsychoanalysis and cinema /$cVicky Lebeau.
260 $aLondon ;$aNew York :$bRoutledge,$c1995.
300 $a1 online resource (172 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 160-165) and index.
588 0 $aPrint version record.
505 0 $a1 Introduction one can learn nothing from them -- 2 Daddy's cinema femininity and mass spectatorship -- 3 Femininity, fantasy and the collective (or Ferris Bueller's Day Off-take two) -- 4 Rumble Fish -- 5 Lost Angels River's Edge and social spectatorship -- 6 Afterword beyond all shadow of doubt.
520 $aRe-reading Freud's writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place.Vicky Lebeau takes Freud's preoccupation with femininity and feminine fantasy as her starting point and goes on to explore his differentiation between masculine and feminine forms of fantasy through feminist and critical theories of spectatorship and cinema.Investigating how psychoanalysis explains fantasy as a form of preoccupation which cuts across bo.
546 $aEnglish.
650 0 $aPsychoanalysis and motion pictures.
650 0 $aMotion pictures$xPsychological aspects.
650 6 $aPsychanalyse et cinéma.
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aMotion pictures$xPsychological aspects.$2fast$0(OCoLC)fst01027364
650 7 $aPsychoanalysis and motion pictures.$2fast$0(OCoLC)fst01081275
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aLebeau, Vicky, 1963-$tLost angels.$dLondon ; New York : Routledge, 1995$z0415107202$w(DLC) 94011706$w(OCoLC)30074706
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14705315$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS