| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:82110377:3782 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:82110377:3782?format=raw |
LEADER: 03782cam a2200625 a 4500
001 14709854
005 20220528231252.0
006 m o d
007 cr cnu---unuuu
008 071206s2001 enka o 001 0 eng d
035 $a(OCoLC)ocn182860758
035 $a(NNC)14709854
040 $aN$T$beng$epn$cN$T$dYDXCP$dOCLCQ$dUBY$dIDEBK$dE7B$dNRU$dOCLCQ$dMERUC$dEBLCP$dOCLCQ$dUMI$dCOO$dDEBSZ$dOCLCQ$dOCLCF$dOCLCQ$dTYFRS$dOCLCQ$dLND$dCEF$dWYU$dUAB$dS9I$dUKAHL$dOCLCQ$dC6I$dOCLCQ$dLEAUB$dBWN$dOCLCQ$dOCLCO$dOCLCQ
019 $a171131574$a505088973$a648270323$a858460653$a1000425508$a1038388451$a1065940908$a1083594259$a1086555139
020 $a9781435612389$q(electronic bk.)
020 $a1435612388$q(electronic bk.)
020 $a0080494544
020 $a9780080494548
020 $a9781136055850
020 $a1136055851
020 $a9781136055867$q(e-book ;$qPDF)
020 $a113605586X
020 $a9781136055812$q(e-book ;$qMobi)
020 $a1136055819
020 $a9781138138957$q(hardback)
020 $a1138138959
020 $z0240516141
020 $z9780240516141
035 $a(OCoLC)182860758$z(OCoLC)171131574$z(OCoLC)505088973$z(OCoLC)648270323$z(OCoLC)858460653$z(OCoLC)1000425508$z(OCoLC)1038388451$z(OCoLC)1065940908$z(OCoLC)1083594259$z(OCoLC)1086555139
037 $aCL0500000285$bSafari Books Online
050 4 $aTR860$b.W49 2001eb
072 7 $aPHO$x022000$2bisacsh
072 7 $aART$x057000$2bisacsh
082 04 $a778.5$222
049 $aZCUA
100 1 $aWheeler, Paul,$d1945-
245 10 $aDigital cinematography /$cPaul Wheeler.
260 $aOxford [England] ;$aBoston, MA :$bFocal Press,$c2001.
300 $a1 online resource (xvii, 188 pages) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
505 0 $aFront Cover; Digital Cinematography; Copyright Page; Contents; Preface; About the author; Acknowledgements; Introduction; Part One: Digital Cinematography; Chapter 1. Why digital cinematography?; Part Two: The Director of Photography's Craft; Chapter 2. Creating a look; Chapter 3. Lighting; Chapter 4. Lighting ratios; Chapter 5. Colour temperature; Chapter 6. Filters; Part Three: The Shoot; Chapter 7. Examples of shoots; Chapter 8. Crewing; Chapter 9. The Director of Photography's preparation; Chapter 10. Technical preparation for a shoot; Part Four: The Technology; Chapter 11. The camera.
588 0 $aPrint version record.
520 $aHigh end digital cinematography can truly challenge the film camera in many of the technical, artistic and emotional aspects of what we think of as 'cinematography'. This book is a guide for practising and aspiring cinematographers and DOPs to digital cinematography essentials - from how to use the cameras to the rapidly emerging world of High Definition cinematography and 24p technology. This book covers the òn-the-set' knowledge you need to know - its emphasis lies in practical application, rather than descriptions of technologies, so that in this book you will find usable t̀ools' and infor.
650 0 $aDigital cinematography.
650 6 $aCinéma numérique.
650 7 $aPHOTOGRAPHY$xTechniques$xCinematography & Videography.$2bisacsh
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aDigital cinematography.$2fast$0(OCoLC)fst00893633
655 4 $aElectronic books.
776 08 $iPrint version:$aWheeler, Paul, 1945-$tDigital cinematography.$dOxford [England] ; Boston, MA : Focal Press, 2001$z0240516141$z9780240516141$w(DLC) 2001033440$w(OCoLC)46992060
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14709854$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS