MARC Record from marc_columbia

LEADER: 05362cam a2200697Ii 4500
001 14716514
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006 m o d
007 cr cnu|||unuuu
008 161109s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn962303297
035 $a(NNC)14716514
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015 $aGBB6E3828$2bnb
016 7 $a018069286$2Uk
019 $a962324465$a962411603
020 $a9781315510286$q(electronic bk.)
020 $a1315510286$q(electronic bk.)
020 $a9781315510279$q(ePub ebook)
020 $a9781315510262$q(Mobipocket ebook)
020 $a9781315510293$q(ebook)
020 $a1315510294
020 $a1315510278$q(ePub ebook)
020 $a131551026X$q(Mobipocket ebook)
020 $z9780321143167
020 $z0321143167
020 $z131551026X
020 $z1315510278
035 $a(OCoLC)962303297$z(OCoLC)962324465$z(OCoLC)962411603
037 $a967922$bMIL
043 $an-us---
050 4 $aPN1995.9.U64
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/63273$223
049 $aZCUA
100 1 $aLorence, James J.,$eauthor.
245 10 $aScreening America :$bUnited States history through film since 1900 /$cJames J. Lorence.
264 1 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed November 11, 2016).
505 0 $aCover; Title Page; Copyright Page; Table of Contents; Preface; Introduction: The Analysis of Primary Sources; Primary Sources and Critical Thinking; The Motion Picture as Primary Source; Reading Film: The Analytical Process; Historical Background: The Origins of the Motion Picture Industry; Part I: Progressive America: Militant Reform and the Postwar Reaction; Chapter 1: Social Protest: A Corner in Wheat (1909) as Muckraking Film; The Literary Inspiration for A Corner in Wheat; U.S. Senator Robert M. La Follette Attacks Financial Manipulators; The Selling of a Corner in Wheat
505 8 $aCritical Reaction to the FilmChapter 2: Cultural History Through a Cloudy Lens: The Birth of a Nation (1915) and the Racial Climate of Progressive America; The NAACP Challenges Hollywood to Respect the Will of the National Board of Censorship; NAACP Mobilizes National Resistance to the Screening of a Racist Film; The Film's Producers React to the Threat of Censorship; NAACP Considers a Film as an Answer to The Birth of a Nation; Chapter 3: Social Change and Sexual Politics: Dancing Mothers (1926) and Moral Ambiguity in the Jazz Age; Elinor Glyn Describes "It"; A New Marriage Style Discussed
505 8 $aSuzanne La Follette Describes a New Attitude on DivorceFrederick Lewis Allen Assesses the Impact of the Movies and the Producers' Response to the Critics; The Motion Picture Code Prescribes Appropriate Treatment of Sexual Issues and Relationships; Chapter 4: The End of Romantic War: All Quiet on the Western Front (1930) and Disillusionment in the Interwar Era; Determination to Avoid World War; New York Times Reviewer Acknowledges Milestone's Achievement; Erich Maria Remarque Surveys War's Devastating Impact on Those Who Served; Part II: A Nation Under Stress: The Depths of Economic Despair
505 8 $aChapter 5: Making It in Depression America: The Street or the Stage in Gold Diggers of 1933 (1933)A Recollection of the Bonus March; The Exhilarating Depression of FDR; Director Mervyn Leroy Assesses the Market; A Social Historian Recalls Avoidance of Unpleasant Realities; Chapter 6: The Resilient People: The Grapes of Wrath (1940) Exposes Poverty in the Land of Plenty; A Migrant Mother; John Steinbeck Describes the Migrant Experience; Californians React to Steinbeck's Portrayal of Golden California; An "Okie" View of the Film from Woody Guthrie; Part III: A Democracy at War
505 8 $aChapter 7: Thinking of Intervention: Foreign Correspondent (1940) and the Winds of WarWalter Wanger Describes the Impediments to the Production of Foreign Correspondent; A Hollywood Executive Sees a Connection Among Good Business, Good Propaganda, and Good Policy; Walter Wanger and Hollywood Internationalists Endorse Roosevelt's Leadership During the Prewar Crisis; Senator Gerald P. Nye Speaks Out for the Isolationists Against Alleged Hollywood Propaganda; Wanger Recalls His Objective in the Production of Foreign Correspondent
651 0 $aUnited States$xIn motion pictures.
650 0 $aMotion pictures and history.
650 6 $aCinéma et histoire.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures and history.$2fast$0(OCoLC)fst01027408
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aLorence, James J.$tScreening America.$dLondon : Routledge, 2016$z0321143167$z9780321143167$w(DLC) 2004022544$w(OCoLC)56608261
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14716514$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS