MARC Record from marc_columbia

LEADER: 04492cam a2200481Mi 4500
001 14726528
005 20201025185703.0
006 m o d
007 cr cn|||||||||
008 170915s2017 enk o 000 0 eng d
035 $a(OCoLC)on1003950367
035 $a(NNC)14726528
040 $aTYFRS$beng$erda$epn$cTYFRS$dUAB$dOCLCQ$dUWO$dTYFRS$dOCLCO$dOCLCF$dYDX$dOCLCQ$dOCLCO
020 $a9781315190846$q(e-book)
020 $a1315190842
035 $a(OCoLC)1003950367
043 $ae-uk-en
050 4 $aN72.S6$bT763 2017
082 04 $a706.0421
049 $aZCUA
100 1 $aTrodd, Colin,$eauthor.
245 10 $aGoverning Cultures :$bArt Institutions in Victorian London /$cColin Trodd.
250 $aFirst edition.
264 1 $aLondon :$bTaylor and Francis,$c2017.
300 $a1 online resource (1 volume)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 2 $a"This title was first published in 2000. London in the nineteenth century saw the founding of the National Gallery, the National Portrait Gallery, the Victoria and Albert Museum and the Whitechapel Art Gallery. Other, less permanent, organisations flourished, among them the British Institution, water-colour societies and the Society of Female Artists. These worked alongside the schools such as the Royal Academy and the Slade School of Art. In this volume, eleven scholars, experts on the individual institutions, analyse their complex histories to investigate such issues as: How did they generate and redesign their publics? What identities did they create? What practice of art making, connoisseurship and spectatorship did they enshrine? These reports elucidate the values associated with the key institutions and describe the responses and adaptation over time to major cultural developments: new movements, political change and the development of the Empire. The volume as a whole offers a fascinating account of the interconnections between these key institutions. Challenging conventional readings of the subject, the Introduction, by Paul Barlow and Colin Trodd, offers a definition of public art during the Victorian period."--Provided by publisher.
505 00 $tChapter Introduction --$tConstituting the public: art and its institutions in nineteenth-century London /$rPaul Barlow --$tpart I National taste: from élite to public? --$tchapter 1 The paths to the National Gallery /$rColin Trodd --$tchapter 2 Museum or market?: the British Institution /$rNicholas Tromans --$tchapter 3 Representing the Victorian Royal Academy: the properties of culture and the promotion of art /$rColin Trodd --$tchapter 4 'Fire, flatulence and fog': the decoration of Westminster Palace and the aesthetics of prudence /$rPaul Barlow --$tpart II Communal taste: institutional discriminations --$tchapter 5 The Society of Female Artists and the Song of the Sisterhood /$rStephanie Brown --$tchapter 6 The cultivation of mind and hand: teaching art at the Slade School of Fine Art 1868-92 /$rEmma Chambers --$tchapter 7 An art suited to the 'English middle classes'?: the watercolour societies in the Victorian period /$rGreg Smith --$tchapter 8 'The advantages of combination': the Art Union of London and state regulation in the 1840s /$rDuncan Forbes --$tpart III Contradicting tastes: public art, the mass and the modern --$tchapter 9 The National Portrait Gallery and its constituencies, 1858-96 /$rLara Perry --$tchapter 10 Consuming empire?: the South Kensington Museum and its spectacles /$rPaul Barlow --$tchapter 11 The highest art for the lowest people': the Whitechapel and other philanthropic art galleries, 1877-1901 /$rShelagh Wilson --$tchapter 12 A 'state' gallery? The management of British art during the early years of the Tate /$rAlison Smith.
650 0 $aArt and society$zEngland$zLondon.
650 0 $aArt$zEngland$zLondon$xSocieties, etc.
650 0 $aArt, English$zEngland$zLondon$y19th century.
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArt, English.$2fast$0(OCoLC)fst00816221
650 7 $aArt$xSocieties, etc.$2fast$0(OCoLC)fst00815333
651 7 $aEngland$zLondon.$2fast$0(OCoLC)fst01204271
648 7 $a1800-1899$2fast
655 4 $aElectronic books.
700 1 $aBarlow, Paul.
776 08 $z9781315190846$z9781351750325
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14726528$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS