MARC Record from marc_columbia

LEADER: 04012cam a2200649Ia 4500
001 15085869
005 20220611231550.0
006 m o d
007 cr cnu---unuuu
008 120917s2012 nyu ob 001 0 eng d
035 $a(OCoLC)ocn810077895
035 $a(NNC)15085869
040 $aN$T$beng$epn$cN$T$dYDXCP$dOCLCQ$dY8N$dOCLCO$dDEBSZ$dOCLCO$dOCLCQ$dOCLCO$dOCLCQ$dMERUC$dOCLCF$dOCLCQ$dK6U$dOCLCO
019 $a960169279
020 $a9780203100134$q(electronic bk.)
020 $a0203100131$q(electronic bk.)
020 $a9781136229848$q(electronic bk.)
020 $a1136229841$q(electronic bk.)
020 $z9780415898393
020 $z0415898390
020 $z9780415898409
020 $z0415898404
035 $a(OCoLC)810077895$z(OCoLC)960169279
050 4 $aNA2710$b.F58 2012eb
072 7 $aARC$x004000$2bisacsh
082 04 $a720.28/4$223
084 $aARC000000$aARC004000$aARC012000$2bisacsh
049 $aZCUA
100 1 $aForget, Thomas$q(Thomas B.)
245 14 $aThe construction of drawings and movies :$bnew models for architectural design and analysis /$cThomas Forget.
260 $aNew York :$bRoutledge,$c2012.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $a"Here, clearly demonstrated, are principles for constructing linear perspective drawings and experimental works of cinema that will help you use digital tools in the design studio. As an architect, your drawings need to examine how parts or spaces connect and relate in abstract, or analytical ways. These approaches to drawing and modeling will let you see the information that analytical graphics show. And you'll learn to use film in the same way. Author Thomas Forget explains how to construct linear perspective drawings and illustrates experimental movie-making strategies. By combining these two methods you can analyze and improve your drawings and increase your graphic literacy. He includes case studies of recent drawing, movie-making, and architecture created by practicing architects, such as Mies van der Rohe and Lewis Tsurumaki Lewis; by filmmakers, such as William Whyte and Thom Andersen; and by students, to show you the best of what's been done. And he presents the theory behind how to represent buildings that will inspire and get you thinking"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Analytical & Pictorial Imagery -- Logics of Construction. The Demystification of Linear Perspective -- The Making of a Movie -- Matters of History. The Non-linear Progression of Linear Perspective -- The Extents and Limits of Architecture-Cinema -- Indeterminate Projections. Architectural Drawings -- Architectural Movies -- Epilogue: The Reflexivity of Architecture and Projection.
588 0 $aPrint version record.
650 0 $aPerspective.
650 0 $aArchitectural drawing$xTechnique.
650 0 $aArchitectural drawing$xData processing.
650 0 $aExperimental films$xProduction and direction.
650 6 $aPerspective.
650 7 $aperspective (technique)$2aat
650 7 $alinear perspective (technique)$2aat
650 7 $aARCHITECTURE$xGeneral.$2bisacsh
650 7 $aARCHITECTURE$xDesign, Drafting, Drawing & Presentation.$2bisacsh
650 7 $aARCHITECTURE$xReference.$2bisacsh
650 7 $aArchitectural drawing$xData processing.$2fast$0(OCoLC)fst00813235
650 7 $aArchitectural drawing$xTechnique.$2fast$0(OCoLC)fst00813249
650 7 $aPerspective.$2fast$0(OCoLC)fst01058877
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aForget, Thomas.$tConstruction of drawings and movies.$dNew York : Routledge, 2012$z9780415898393$w(DLC) 2012007691$w(OCoLC)742512498
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15085869$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS