MARC Record from marc_columbia

LEADER: 05509cam a22009615i 4500
001 15000490
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006 m o d
007 cr |||||||||||
008 180430s2018 nyu ob 001 0 eng
010 $a 2019717083
035 $a(OCoLC)on1110598136
035 $a(NNC)15000490
040 $aDLC$beng$erda$cDLC$dOCLCF$dUWO$dOCLCO$dEBLCP$dN$T$dYDX$dNLE$dU3W$dUKMGB$dOTZ$dTYFRS$dCUY$dAU@$dUKAHL$dOCL$dOCLCO$dK6U$dOCLCO
015 $aGBB8B3434$2bnb
016 7 $a018916036$2Uk
019 $a1034576689$a1042324878$a1042351763$a1043397275
020 $z9781138482753$q(hb)
020 $a9781351056588$q(ebook)
020 $a1351056581
020 $a9781351056564$q(electronic bk.)
020 $a1351056565$q(electronic bk.)
020 $a9781351056571
020 $a1351056573
020 $a9781351056557
020 $a1351056557
020 $z1138482757
024 7 $a10.4324/9781351056588$2doi
035 $a(OCoLC)1110598136$z(OCoLC)1034576689$z(OCoLC)1042324878$z(OCoLC)1042351763$z(OCoLC)1043397275
037 $a9781351056564$bIngram Content Group
042 $apcc
043 $ae-uk---
050 00 $aPN1993.5.G7
072 7 $aSOC$x052000$2bisacsh
072 7 $aPER$x004000$2bisacsh
072 7 $aSOC$x032000$2bisacsh
072 7 $aJFD$2bicscc
072 7 $aJFD$2bicssc
082 00 $a791.430941/09045$223
049 $aZCUA
100 1 $aLaitila, Johanna,$eauthor.
245 10 $aMelodrama, self and nation in post-war British popular film /$cby Johanna Laitila.
264 1 $aNew York :$bRoutledge,$c2018.
300 $a1 online resource.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in film studies
520 $a"This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focusing on these genres, and looking at the concept of melodrama as an analytical tool apt for the analysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to 'normalcy' after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time; structures that, for all their centrality, are made invisible in our culture"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aHistory and myth -- "Bloody uncomfortable" : from war to post-war -- Inside, outside, and somewhere in-between : race and sexuality -- Melodramas in the post-war -- Identities and their theories -- "Lest we forget" : national memories and collective oblivions -- Male amnesiacs in Caravan and The October man -- Displaced trauma in Madonna of the Seven Moons and the Seventh veil -- "We'll need good citizens when this is over" -- Masculine horror and feminine melancholy in post-war Ealing : Dead of night and It always rains on Sunday -- Rebelling against normative temporality in The wicked lady and A matter of life and death -- Language and identity -- Pathological families and nationalisms in The blue lamp and Odd man out -- Making names in The long memory and The magic bow.
588 $aDescription based on online resource; title from PDF title page (Site, viewed 05/19/2020).
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.
650 0 $aMelodrama in motion pictures.
650 0 $aCrime films$zGreat Britain$xHistory and criticism.
650 0 $aNationalism in motion pictures.
650 0 $aSex in motion pictures.
650 6 $aCinéma$zGrande-Bretagne$xHistoire$y20e siècle.
650 6 $aMélodrames (Films)
650 6 $aFilms criminels$zGrande-Bretagne$xHistoire et critique.
650 6 $aNationalisme au cinéma.
650 6 $aSexualité au cinéma.
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aSOCIAL SCIENCE$xGender Studies.$2bisacsh
650 7 $aSex in motion pictures.$2fast$0(OCoLC)fst01114479
650 7 $aNationalism in motion pictures.$2fast$0(OCoLC)fst01033901
650 7 $aMelodrama in motion pictures.$2fast$0(OCoLC)fst01015774
650 7 $aCrime films.$2fast$0(OCoLC)fst01750246
650 7 $aCrime.$2fast$0(OCoLC)fst00882984
650 7 $aFilm genres.$2fast$0(OCoLC)fst00924269
650 7 $aMemory.$2fast$0(OCoLC)fst01015913
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aSex.$2fast$0(OCoLC)fst01114160
650 7 $aSex in popular culture.$2fast$0(OCoLC)fst01114483
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$tMelodrama, self and nation in post-war British popular film$dNew York : Routledge, 2018.$z9781138482753$w(DLC) 2018011423
830 0 $aRoutledge advances in film studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15000490$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS