| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:113660817:4338 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:113660817:4338?format=raw |
LEADER: 04338cam a2200769Mi 4500
001 15089676
005 20220604232658.0
006 m o d
007 cr |n|||||||||
008 130411s2013 nyua ob 001 0 eng d
010 $z 2012040033
035 $a(OCoLC)ocn838418622
035 $a(NNC)15089676
040 $aYDXCP$beng$epn$cYDXCP$dOCLCO$dUMC$dIDEBK$dCDX$dCCO$dE7B$dOCLCF$dOCLCQ$dTYFRS$dOCLCQ$dZ5A$dMOR$dOCLCQ$dCNCGM$dOCLCQ$dINT$dAU@$dOCLCQ$dYOU$dUKAHL$dOCLCQ$dADU$dLEAUB$dLOA$dU3W$dLVT$dUKCRE$dVLY$dLDP$dLUN$dELBRO$dOCLCQ$dSFB$dOCLCO
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020 $a0203070291$q(electronic bk.)
020 $a9780203070291$q(electronic bk.)
020 $z9780415811408$q(hardback)
020 $z0415811406$q(hardback)
020 $a9781135090678$q(e-book ;$qPDF)
020 $a113509067X
020 $a9781135090623$q(e-book ;$qMobi)
020 $a1135090629
020 $a9781135090661$q(e-book ;$qePub)
020 $a1135090661
020 $a9781138642249$q(paperback)
020 $a113864224X
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024 7 $a10.4324/9780203070291$2doi
035 $a(OCoLC)838418622$z(OCoLC)988431625$z(OCoLC)1058357100$z(OCoLC)1065711126$z(OCoLC)1086449438$z(OCoLC)1135522010$z(OCoLC)1152727724$z(OCoLC)1156846861$z(OCoLC)1162243863$z(OCoLC)1167188317$z(OCoLC)1290106770
050 4 $aNX180.M3$bP47 2013
082 04 $a700.1/08$223
084 $aSOC052000$aSOC022000$aART009000$2bisacsh
049 $aZCUA
245 00 $aPerforming memory in art and popular culture /$cedited by Liedeke Plate and Anneke Smelik.
264 1 $aNew York :$bRoutledge,$c2013.
300 $a1 online resource (229 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge research in cultural and media studies ;$v48
520 $a"This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? Does the past speak in the performed past (or do we speak to it)? To what purpose do objects "recall"? And for whom do they recollect? Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory."--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 205-218) and index.
588 $aPrint version record.
505 0 $apt. 1. Staging memory -- pt. 2. Spectral memories -- pt. 3. Embodied memories -- pt. 4. Mediating memories.
546 $aEnglish.
650 0 $aMass media and the arts.
650 0 $aCollective memory.
650 0 $aArt and popular culture.
650 6 $aMédias et arts.
650 6 $aMémoire collective.
650 6 $aArt et culture populaire.
650 7 $aSOCIAL SCIENCE$xMedia Studies.$2bisacsh
650 7 $aSOCIAL SCIENCE$xPopular Culture.$2bisacsh
650 7 $aART$xCriticism & Theory.$2bisacsh
650 7 $aArt and popular culture.$2fast$0(OCoLC)fst00815422
650 7 $aCollective memory.$2fast$0(OCoLC)fst01739814
650 7 $aMass media and the arts.$2fast$0(OCoLC)fst01011374
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aPlate, Liedeke.
700 1 $aSmelik, Anneke.
776 08 $iPrint version:$tPerforming memory in art and popular culture$z9780415811408$w(DLC) 2012040033$w(OCoLC)802325755
830 0 $aRoutledge research in cultural and media studies ;$v48.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15089676$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS