MARC Record from marc_columbia

LEADER: 04417cam a2200649Ia 4500
001 15089865
005 20220430235259.0
006 m o d
007 cr |n|||||||||
008 130423s2013 enka ob 001 0 eng d
035 $a(OCoLC)ocn840582097
035 $a(NNC)15089865
040 $aYDXCP$beng$epn$cYDXCP$dOCLCO$dMHW$dN$T$dCDX$dOCLCF$dDEBSZ$dN$T$dOCLCQ$dYNG$dN$T$dOCLCQ$dYDX$dK6U$dOCLCO
019 $a959595543$a959885134
020 $a1409445348$q(electronic bk.)
020 $a9781409445340$q(electronic bk.)
020 $z9781409445333$q(hardcover ;$qalk. paper)
020 $z140944533X$q(hardcover ;$qalk. paper)
020 $z9781409473039$q(epub)
020 $z1409473031$q(epub)
035 $a(OCoLC)840582097$z(OCoLC)959595543$z(OCoLC)959885134
043 $an-us-ny
050 4 $aML3776$b.W66 2013eb
072 7 $aMUS$x037000$2bisacsh
082 04 $a782.42089/924073$223
049 $aZCUA
100 1 $aWood, Abigail,$d1977-
245 10 $aAnd now we're all brothers :$bsinging in Yiddish in contemporary North America /$cby Abigail Wood.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$c©2013.
300 $a1 online resource (xii, 205 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aSOAS musicology series
588 0 $aPrint version record.
504 $aIncludes bibliographical references (pages 187-200) and index.
520 $a"The dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a potent medium for musical and ideological creativity at the twilight of the twentieth century, presenting an episode in the flowing timeline of a musical repertory - New York at the dawn of the twenty-first century - and outlining some of the trajectories that Yiddish song and its singers have taken to, and beyond, this point."--$cProvided by publisher.
505 0 $aBecoming Yiddishists -- Narrating a canon -- From local to global : a new stage for Yiddish song -- A space for reflection : creative encounters with Europe -- Encountering the Yiddish other : Hasidic music in today's Yiddish canon -- Technology, the sonic object, and the (re)construction of Yiddish music.
650 0 $aJews$zNew York (State)$zNew York$xMusic$xHistory and criticism.
650 0 $aFolk songs, Yiddish$xHistory and criticism.
650 0 $aSongs, Yiddish$xHistory and criticism.
650 0 $aKlezmer music$xHistory and criticism.
650 6 $aChansons folkloriques yiddish$xHistoire et critique.
650 6 $aChansons yiddish$xHistoire et critique.
650 7 $aMUSIC$xPrinted Music$xGeneral.$2bisacsh
650 7 $aFolk songs, Yiddish.$2fast$0(OCoLC)fst00930291
650 7 $aJews$xMusic.$2fast$0(OCoLC)fst00983314
650 7 $aKlezmer music.$2fast$0(OCoLC)fst00988020
650 7 $aSongs, Yiddish.$2fast$0(OCoLC)fst01126579
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aWood, Abigail, 1977-$tAnd we're all brothers.$dFarnham, Surrey ; Burlington, VT : Ashgate, 2013$z9781409445333$z140944533X$w(DLC) 2012039070$w(OCoLC)812018049
830 0 $aSOAS musicology series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15089865$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS