It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:115957073:6304
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:115957073:6304?format=raw

LEADER: 06304cam a2201057Ia 4500
001 15090277
005 20210607114441.0
006 m o d
007 cr cnu---unuuu
008 050512s2006 nyu ob 001 0 eng d
035 $a(OCoLC)ocn842856250
035 $a(NNC)15090277
040 $aIDEBK$beng$epn$cIDEBK$dOCLCO$dE7B$dN$T$dOCLCF$dOCLCQ$dOCLCO$dYDXCP$dTYFRS$dOCL$dOCLCQ$dEBLCP$dOCLCO$dOCLCQ$dYDX$dOCLCO$dZ5A$dMOR$dMERUC$dOCLCQ$dAU@$dUKAHL$dOCLCQ$dOCL$dOCLCA$dOCLCQ$dLEAUB$dINARC$dOCLCQ$dAFU$dK6U$dOCLCO
019 $a831119427$a988533747$a1086491505
020 $a9781136092428$q(electronic bk.)
020 $a1136092420$q(electronic bk.)
020 $a1299287468$q(electronic bk.)
020 $a9781299287464$q(electronic bk.)
020 $a9780203036211$q(e-book)
020 $a0203036212$q(e-book)
020 $z0415975026$q(alk. paper)
020 $z9780415975025$q(alk. paper)
020 $z0415975034$q(pbk. ;$qalk. paper)
020 $z9780415975032$q(pbk. ;$qalk. paper)
020 $a9781136092589$q(e-book ;$qMobi)
020 $a1136092587
020 $a9781136092503$q(e-book ;$qePub)
020 $a1136092501
035 $a(OCoLC)842856250$z(OCoLC)831119427$z(OCoLC)988533747$z(OCoLC)1086491505
043 $an-us---$ae-uk---
050 4 $aPS374.W6$bC48 2006eb
072 7 $aLIT$x004020$2bisacsh
082 04 $a813/.54093522$222
084 $a17.91$2bcl
084 $aHN 1139$2rvk
084 $aHU 1740$2rvk
049 $aZCUA
245 00 $aChick lit :$bthe new woman's fiction /$cedited by Suzanne Ferriss and Mallory Young.
260 $aNew York :$bRoutledge,$c2006.
300 $a1 online resource (ix, 272 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 257-259) and index.
588 0 $aPrint version record.
505 0 $aCover; Chick Lit: The New Woman's Fiction; Copyright; Contents; Acknowledgments; Introduction; PART I The Hatching of a Genre: Origins and Influences; 1 Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre; 2 Tradition and Displacement in the New Novel of Manners; 3 Mothers of Chick Lit? Women Writers, Readers, and Literary History; 4 Narrative and Cinematic Doubleness: Pride and Prejudice and Bridget]ones's Diary; PART II Free Range: Varieties and Variations; 5 "Sistahs Are Doin' It for Themselves": Chick Lit in Black and White.
505 8 $a6 Long-Suffering Professional Females: The Case of Nanny Lit; 7 You Are Not Alone: The Personal, the Political, and the "New" Mommy Lit; 8 Chick Lit Jr.: More Than Glitz and Glamour for Teens and Tweens; 9 Ya Yas, Grits, and Sweet Potato Queens: Contemporary Southern Belles and the Prescriptions That Guide Them; 10 Bridget Jones and Hungarian Chick Lit; PART III Sex and the Single Chick: Feminism and Postfeminism, Sexuality and Self-Fashioning; 11 About a Girl: Female Subjectivity and Sexuality in Contemporary 'Chick' Culture.
505 8 $a12 No Satisfaction: Sex and the City, Run Catch Kiss, and the Conflict of Desires in Chick Lit's New Heroines;13 Fashionably Indebted: Conspicuous Consumption, Fashion, and Romance in Sophie Kinsella's Shopaholic Trilogy; 14 Supersizing Bridget Jones: What's Really Eating the Women in Chick Lit; Afterword: The New Woman's Fiction; Selected Bibliography; Contributors; Index.
520 $aFrom the bestselling Bridget Jones's Diary that started the trend to the television sensation Sex and the City that captured it on screen, "chick lit" has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining. This is.
650 0 $aAmerican fiction$xWomen authors$xHistory and criticism.
650 0 $aEnglish fiction$xWomen authors$xHistory and criticism.
650 0 $aWomen$xBooks and reading$zEnglish-speaking countries.
650 0 $aWomen and literature$zEnglish-speaking countries.
650 0 $aSingle women in literature.
650 0 $aYoung women in literature.
650 0 $aWomen in literature.
650 6 $aÉcrits de femmes américains$xHistoire et critique.
650 6 $aÉcrits de femmes anglais$xHistoire et critique.
650 6 $aFemmes$xLivres et lecture$zAnglophonie.
650 6 $aFemmes et littérature$zAnglophonie.
650 6 $aFemmes seules dans la littérature.
650 6 $aJeunes femmes dans la littérature.
650 6 $aFemmes dans la littérature.
650 7 $aLITERARY CRITICISM$xAmerican$xGeneral.$2bisacsh
650 7 $aAmerican fiction$xWomen authors.$2fast$0(OCoLC)fst00807099
650 7 $aEnglish fiction$xWomen authors.$2fast$0(OCoLC)fst00910866
650 7 $aSingle women in literature.$2fast$0(OCoLC)fst01119476
650 7 $aWomen and literature.$2fast$0(OCoLC)fst01177093
650 7 $aWomen$xBooks and reading.$2fast$0(OCoLC)fst01176596
650 7 $aWomen in literature.$2fast$0(OCoLC)fst01177912
650 7 $aYoung women in literature.$2fast$0(OCoLC)fst01183335
651 7 $aEnglish-speaking countries.$2fast$0(OCoLC)fst01261775
650 7 $aLiteratur$2gnd
650 7 $aJunge Frau$2gnd
650 7 $aFrauenliteratur$2gnd
650 17 $aLetterkunde.$2gtt
650 17 $aVrouwen.$2gtt
650 17 $aMeisjes.$2gtt
650 7 $aChick lit.$2sao
650 7 $aKvinnor i litteraturen.$2sao
650 7 $aLitteratur$xkvinnliga författare.$2sao
651 7 $aEnglisch.$2swd
651 7 $aUSA.$2swd
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aFerriss, Suzanne,$d1962-
700 1 $aYoung, Mallory,$d1952-
776 08 $iPrint version:$aFerriss, Suzanne.$tChick Lit : The New Woman's Fiction.$dHoboken : Taylor and Francis, ©2013$z9780415975025
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15090277$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS