MARC Record from marc_columbia

LEADER: 06191cam a2200817 a 4500
001 15092396
005 20220703232706.0
006 m o d
007 cr cnu---unuuu
008 130826s2013 enk ob 001 0 eng d
035 $a(OCoLC)ocn856934460
035 $a(NNC)15092396
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019 $a857278153
020 $a9781136283536$q(electronic bk.)
020 $a1136283536$q(electronic bk.)
020 $a9780203112700$q(ebook)
020 $a0203112709$q(ebook)
020 $a1299811116$q(ebk)
020 $a9781299811119$q(ebk)
020 $z9780415535281
020 $z041553528X
020 $z9780415535304
020 $z0415535301
035 $a(OCoLC)856934460$z(OCoLC)857278153
037 $a512362$bMIL
043 $ae------
050 4 $aPN2193.E67$bC66 2013eb
072 7 $aPER$x011000$2bisacsh
082 04 $a792.02/2$223
049 $aZCUA
245 04 $aThe contemporary ensemble :$binterviews with theatre-makers /$cedited by Duška Radosavljević.
260 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2013.
300 $a1 online resource (xii, 284 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Redefinitions of ensemble. Michael Boyd (Royal Shakespeare Company): A "contingent community" in a free market economy -- Gabor Tompa (Hungarian Theatre of Cluj): Between the East and the West today -- Hermann Wündrich (The Berliner Ensemble): How The Berliner Ensemble changes with time -- Yuri Butusov (guest director Satirikon Theatre): Directing as an art of composition -- Max Stafford-Clark (Out of joint): A tried and tested ensemble methodology -- Elizabeth Lecompte (The Wooster Group): "A group of people around a place" -- Lyn Gardner (The guardian newspaper): On regional theatre-making -- Working processes. Anton Adassinsky and Elena Yarovaya (Derevo): Beyond words -- Emma Rice (Kneehigh Theatre): From a community to The West End -- Joanna Holden (Northern Stage, Kneehigh, Cirque du soleil): On being an ensemble actor in the UK -- Ian Morgan (Song of the goat): An actor's journey between Wales and Wroclaw -- Dan Rothenberg (Pig Iron): "Comic figures repurposed" -- Adriano Shaplin (The Riot Group): Ensemble as a musical "intersubjective unit" -- Hanna Slättne (Tinderbox Theatre): Working together in Northern Ireland -- Alexander Kelly (Third Angel) and Chris Thorpe (Unlimited Theatre): On writing and performance in an ensemble -- Ensemble and the audience. Mike Alfreds (ex-shared experience, method and madness): Sharing the experience of imagination -- Greg Allen (The Neo-futurists): An interactive ensemble -- Phelim McDermott (Improbable): "Safe emergencies" -- Peter Eckersall (Not yet it's difficult): The dramaturgy of long-term cross-cultural collaboration -- Katarina Pejovic and Boris Bakal (Shadow casters): Ensemble as a tool of civic engagement -- David Bauwens, Alexander Devriendt, Joeri Smet (Ontroerend Goed): On courting the audience -- Richard Jordan (Richard Jordan Productions): Towards a global ensemble.
588 0 $aPrint version record.
520 $aThe Contemporary Ensemble draws together an unprecedented range of original interviews with world-renowned theatre-makers in order to directly address both the former and latter concerns. Reflecting on 'the ensemble way of working' within this major new resource are figures including: Michael Boyd, Hermann Wundrich, Yuri Butusov, Max Stafford-Clark, Elizabeth LeCompte, Lyn Gardner, Adriano Shaplin, Phelim McDermott; and Emma Rice; representing companies including: The RSC; The Berliner Ensemble; The Satirikon Theatre; Out of Joint; The Wooster Group; Kneehigh Theatre; Song of the Goat; The Riot Group; The Neo-Futurists; Shadow Casters; and Ontroerend Goed. All 22 interviews were conducted especially for the collection, and draw upon the author's rich background working as scholar, educator and dramaturg with a variety of ensembles. The resulting compendium radically re-situates the ensemble in the context of globalisation, higher education and simplistic understandings of 'text-based' and 'devised' theatre practice, and traces a compelling new line through the contemporary theatre landscape.
650 0 $aEnsemble theater$zEurope$xHistory$y21st century.
650 0 $aTheater audiences$zEurope$xHistory$y21st century.
650 0 $aTheatrical producers and directors$zEurope$vInterviews.
650 0 $aActors$zEurope$vInterviews.
650 6 $aTroupes de théâtre$zEurope$xHistoire$y21e siècle.
650 6 $aThéâtre$xPublics$zEurope$xHistoire$y21e siècle.
650 6 $aProducteurs et metteurs en scène de théâtre$zEurope$vEntretiens.
650 6 $aActeurs$zEurope$vEntretiens.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aActors.$2fast$0(OCoLC)fst00796296
650 7 $aEnsemble theater.$2fast$0(OCoLC)fst00912566
650 7 $aTheater audiences.$2fast$0(OCoLC)fst01149328
650 7 $aTheatrical producers and directors.$2fast$0(OCoLC)fst01149443
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
650 7 $aTheater$2gnd
650 7 $aTheaterregisseur$2gnd
650 7 $aTheaterproduzent$2gnd
650 7 $aTheaterintendant$2gnd
650 7 $aSchauspieler$2gnd
650 7 $aTheatertruppe$2gnd
650 7 $aZuschauer$2gnd
651 7 $aEuropa$2gnd
648 7 $a2000-2099$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aRadosavljević, Duška,$eeditor.
776 08 $iPrint version:$tContemporary ensemble.$dAbingdon, Oxon ; New York : Routledge, 2013$z9780415535281$w(DLC) 2012042045$w(OCoLC)776534434
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15092396$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS