| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:12450163:4043 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:12450163:4043?format=raw |
LEADER: 04043cam a2200721Ia 4500
001 15063355
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006 m o d
007 cr cn|||||||||
008 021009s1996 nyu ob 001 0 eng d
010 $z 95052603
035 $a(OCoLC)ocm50754133
035 $a(NNC)15063355
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020 $a0203129830$q(electronic bk.)
020 $a9780203129838$q(electronic bk.)
020 $a9781134895410$q(electronic bk.)
020 $a1134895410$q(electronic bk.)
020 $z041508010X$q(Cloth)
020 $z9780415080101$q(Cloth)
020 $z0415080118$q(Paper)
020 $z9780415080118$q(Paper)
020 $a9786610329236
020 $a6610329230
020 $a1280329238
020 $a9781280329234
020 $a1134895402
020 $a9781134895403
024 7 $a10.4324/9780203129838$2doi
035 $a(OCoLC)50754133$z(OCoLC)60563347$z(OCoLC)264511619$z(OCoLC)455990419$z(OCoLC)503066542$z(OCoLC)508286465$z(OCoLC)696027279$z(OCoLC)1058095101$z(OCoLC)1157125809$z(OCoLC)1290096510$z(OCoLC)1300501529
043 $ae-uk---
050 4 $aPT2603.R397$bZ5935 1996eb
055 13 $aPT2603.R397$bZ5935 1996eb
072 7 $aPER$x011020$2bisacsh
082 04 $a792.9/5/0941$221
049 $aZCUA
100 1 $aEddershaw, Margaret.
245 10 $aPerforming Brecht /$cMargaret Eddershaw.
260 $aNew York :$bRoutledge,$c1996.
300 $a1 online resource (x, 188 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 178-180) and index.
588 0 $aPrint version record.
520 8 $aAnnotation$bPerforming Brecht is an unprecedented history of the productions of Brecht's plays in Britain over forty years. Margaret Eddershaw surveys all aspects of Brecht in performance, from his methodologies to his place in postmodernist theatre and beyond. She focuses on key productions by directors including George Devine, Sam Wanamaker, William Gaskill, Howard Davies, John Dexter and Richard Eyre. Eddershaw also provides three in-depth case studies of productions in the 1990s, incorporating her own exclusive access to the rehearsals and in-depth interviews with directors and performers. The case studies are: *The Good Person of Sechuan, directed by Deborah Warner and starring Fiona Shaw; *Mother Courage, directed by Philip Prowse and starring Glenda Jackson; *The Resistable Rise of Arturo Ui, directed by Di Trevis and starring Antony Sher
546 $aEnglish.
600 10 $aBrecht, Bertolt,$d1898-1956$xStage history$zGreat Britain.
600 10 $aBrecht, Bertolt,$d1898-1956$xDramatic production.
600 17 $aBrecht, Bertolt,$d1898-1956.$2fast$0(OCoLC)fst00031391
650 0 $aTheater$zGreat Britain$xHistory$y20th century.
650 6 $aThéâtre$zGrande-Bretagne$xHistoire$y20e siècle.
650 7 $aPERFORMING ARTS$xTheater$xHistory & Criticism.$2bisacsh
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aEddershaw, Margaret.$tPerforming Brecht.$dNew York : Routledge, 1996$z041508010X$w(DLC) 95052603$w(OCoLC)33947296
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15063355$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS