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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:126254103:6510
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:126254103:6510?format=raw

LEADER: 06510cam a2200877 i 4500
001 15093112
005 20220817091646.0
006 m o d
007 cr cnu---unuuu
008 131007s2007 nyuabg ob 001 0 eng d
035 $a(OCoLC)ocn859536283
035 $a(NNC)15093112
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020 $a9781135866617$q(electronic bk.)
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020 $a9780203941904$q(e-book)
020 $a020394190X$q(e-book)
020 $a9781135866624
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020 $a9781135866570$q(e-book ;$qMobi)
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020 $z9780415978200
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024 7 $a10.4324/9780203941904$2doi
035 $a(OCoLC)859536283$z(OCoLC)639593911$z(OCoLC)659208260$z(OCoLC)680423241$z(OCoLC)755202741$z(OCoLC)861536844$z(OCoLC)967323219$z(OCoLC)988476883$z(OCoLC)1082196276$z(OCoLC)1110198652$z(OCoLC)1119638451$z(OCoLC)1120086428$z(OCoLC)1124467710$z(OCoLC)1143400577$z(OCoLC)1143620698$z(OCoLC)1160032094$z(OCoLC)1180992614$z(OCoLC)1288250282
037 $a1422348$bProquest Ebook Central
042 $adlr
050 4 $aML3470$b.O4 2007eb
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.63/081$222
084 $aLR 56600$2rvk
084 $aLS 48000$2rvk
084 $a9,2$2ssgn
049 $aZCUA
245 00 $aOh boy! :$bmasculinities and popular music /$cedited by Freya Jarman-Ivens.
246 30 $aMasculinities and popular music
264 1 $aNew York :$bRoutledge,$c[2007]
264 4 $c©2007
300 $a1 online resource (vii, 279 pages) :$billustrations, maps, music
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : Oh boy! Making masculinity in popular music / Ian Biddle and Freya Jarman-Ivens -- Boys, boys, boys : male bonds, masculine connections. Which Freddie? Constructions of masculinity in Freddie Mercury and Justin Hawkins / Sheila Whiteley ; Negotiating masculinity in an Indonesian pop song : Doel Sumbang's "Ronggeng" / Henry Spiller ; Moshpit menace and masculine mayhem / Jonathan Gruzelier ; To see their father's eyes : expressions of ancestry through yarrat̲a among Yolnu popular bands from Arnhem Land, Australia / Aaron Corn -- Boys don't cry : troubled/troubling masculinity. Mum's the word : men's singing and maternal law / Richard Middleton ; "The sing-song of undead labor" : gender nostalgia and the vocal fantasy of intimacy in the "new" male singer/songwriter / Ian Biddle ; "A walking open wound" : emo rock and the "crisis" of masculinity in America / Sarah F. Williams ; "Don't cry, Daddy" : the degeneration of Elvis Presley's musical masculinity / Freya Jarman-Ivens -- Boys will be ...? Other modes of masculinity. Queer voices and musical genders / Judith Halberstam -- (Un)Justified : gestures of straight-talk in Justin Timberlake's songs / Stan Hawkins ; "Not with you but of you" : "Unbearable intimacy" and Jeff Buckley's transgendered vocality / Shana Goldin-Perschbacher ; "Some of us can only live in songs of love and trouble" : voice, genre/gender, and sexuality in the music of Stephin Merritt / Mark J. Butler.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
520 $aFrom Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, and from Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. Oh Boy! is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices. Written by a group of internationally recognized pop music scholars including: Sheila Whiteley, Richard Middleton, and Judith Alberstam, the essays are anchored by musical analysis or close reading of musical texts and discourses. For students of popular music, performance, and gender studies, this collection focuses on the growing interest in masculinity. Oh Boy! represents a long overdue addition to the fields of popular music studies and gender studies, and is placed firmly at the intersection of these two well-established fields of study.
650 0 $aPopular music$xHistory and criticism.
650 0 $aMasculinity in music.
650 0 $aGender identity in music.
650 0 $aMasculinity in popular culture.
650 6 $aMusique populaire$xHistoire et critique.
650 6 $aMasculinité dans la culture populaire.
650 6 $aMasculinité dans la musique.
650 6 $aIdentité sexuelle dans la musique.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aMasculinity in popular culture.$2fast$0(OCoLC)fst01011042
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aMasculinity in music.$2fast$0(OCoLC)fst01738370
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aGeschlechterforschung$2gnd
650 7 $aPopmusik$2gnd
650 7 $aMännlichkeit$2gnd
653 0 $aPopmusik$aMännlichkeit$aGeschlechterforschung$aAufsatzsammlung
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aJarman-Ivens, Freya.
776 08 $iPrint version:$tOh boy!$z0415978203$w(DLC) 2007001859$w(OCoLC)79256778
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15093112$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS