| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:131274238:4090 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:131274238:4090?format=raw |
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001 15094485
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006 m o d
007 cr |n|||||||||
008 131111s2014 enk ob 001 0 eng d
035 $a(OCoLC)ocn862780694
035 $a(NNC)15094485
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020 $a1134745591$q(electronic bk.)
020 $a9781134745593$q(electronic bk.)
020 $a9781315880143$q(e-book)
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020 $a130611263X
020 $a9781306112635
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020 $a9781134745739$q(e-book ;$qMobi)
020 $a1134745737
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024 7 $a10.4324/9781315880143$2doi
035 $a(OCoLC)862780694$z(OCoLC)862611580$z(OCoLC)862780351$z(OCoLC)863048202$z(OCoLC)908072709$z(OCoLC)967024462$z(OCoLC)980124485$z(OCoLC)1077893205$z(OCoLC)1081120880$z(OCoLC)1082251584$z(OCoLC)1086408701$z(OCoLC)1112521191$z(OCoLC)1124418827$z(OCoLC)1190692895$z(OCoLC)1198078033
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050 4 $aPN1995$b.H5865 2014
072 7 $aPER$x009000$2bisacsh
082 04 $a791.4301/9$223
049 $aZCUA
100 1 $aHockley, Luke.
245 10 $aSomatic cinema :$bthe relationship between body and screen--a Jungian perspective /$cLuke Hockley.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2014.
300 $a1 online resource (ix, 172 pages .)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- The consciously constructed film -- Being in the cinema -- Reflections of the body -- Being mindful of the image -- Seeing the image -- Being touched by the image -- Feeling the image -- Conclusion.
588 0 $aPrint version record.
520 $aFilms can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world. Luke Hockley draws on the insights of phenomenological and Jungian film theory and applies them alongside more established psychoanalytic approaches. The result is to combine the idea of affective bodily experience with unconscious processes as a means to explore a new ontology of the cinema.
506 $aUnlimited Users and Download Restrictions may Apply, Taylor & Francis Unlimited-User Licence. Available using University of Exeter Username and Password.$5GB-UKExU
650 0 $aMotion pictures$xPsychological aspects.
650 0 $aMotion picture audiences$xPsychological aspects.
650 0 $aPsychoanalysis and motion pictures.
650 0 $aJungian psychology.
650 6 $aCinéma$xPublics$xAspect psychologique.
650 6 $aPsychanalyse et cinéma.
650 6 $aPsychologie analytique.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aJungian psychology.$2fast$0(OCoLC)fst00984858
650 7 $aMotion picture audiences$xPsychological aspects.$2fast$0(OCoLC)fst01027119
650 7 $aMotion pictures$xPsychological aspects.$2fast$0(OCoLC)fst01027364
650 7 $aPsychoanalysis and motion pictures.$2fast$0(OCoLC)fst01081275
776 08 $iPrint version:$z9780415669221$z0415669227$w(DLC) 2013018316
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15094485$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS