| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:132029673:3990 |
| Source | marc_columbia |
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LEADER: 03990cam a2200781 i 4500
001 15094683
005 20220618231920.0
006 m o d
007 cr cnu---unuuu
008 131118s2002 enkab ob 001 0 eng d
035 $a(OCoLC)ocn863157643
035 $a(NNC)15094683
040 $aN$T$beng$erda$epn$cN$T$dTYFRS$dOCLCQ$dYDXCP$dLOA$dAGLDB$dCOCUF$dCOO$dK6U$dU3W$dD6H$dSTF$dWRM$dOCLCQ$dVTS$dVT2$dOCLCQ$dWYU$dOCLCO$dUKAHL$dOCLCQ$dLEAUB$dOCLCF$dVLY$dELBRO$dOCLCQ$dOCLCO
019 $a1040678296$a1041463849$a1086555350$a1148111756$a1162517025$a1241940077
020 $a9781136476662$q(electronic bk.)
020 $a1136476660$q(electronic bk.)
020 $a9781315015361
020 $a1315015366
020 $a0415277272
020 $a9780415277273
020 $a9781136476808$q(e-book ;$qMobi)
020 $a1136476806
020 $a9781136476730$q(e-book ;$qePub)
020 $a1136476733
020 $a0415511011
020 $a9780415511018
020 $z0415277272
020 $z9780415277273
020 $z9780415511018$q(pbk.)
024 3 $a9780415277273
035 $a(OCoLC)863157643$z(OCoLC)1040678296$z(OCoLC)1041463849$z(OCoLC)1086555350$z(OCoLC)1148111756$z(OCoLC)1162517025$z(OCoLC)1241940077
037 $b00081154
043 $af-mz---
050 4 $aNB1255.A353$bK56 2002eb
072 7 $aART$x026000$2bisacsh
082 04 $a730/.89/96397$222
084 $a73.62$2bcl
049 $aZCUA
100 1 $aKingdon, Zachary,$d1962-
245 12 $aA host of devils :$bthe history and context of the making of Makonde spirit sculpture /$cZachary Kingdon.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2002.
300 $a1 online resource (xiv, 251 pages) :$billustrations, maps
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in visual culture ;$vvolume 2
504 $aIncludes bibliographical references (pages 236-243) and index.
505 00 $g1.$tThe Makonde.$tThe origins of Makonde ethnic identity.$tThe regime of the Companhia do Nyassa.$tThe cotton regime, 1938-61.$tFRELIMO and the liberation struggle.$tThe Makonde diaspora in Tanzania --$g2.$tCosmology and the body.$tCosmology and power.$tMapiko masquerade.$tThe paradox of the dancing dead.$tTattooing: the "mask of defiance"$tConclusion: mastery in the world --$g3.$tCarvers and patrons.$tThe carver in pre-colonial Makonde society.$tNyekenyu Nangundu and the origins of blackwood carving.$tColonial patronage.$tMohamed Peera and the Dar es Salaam 'School' --$g4.$tApprenticeship.$tFundi Hendrick Thobias.
588 0 $aPrint version record.
520 8 $aAnnotation$bA Host of Devilsprovides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.
546 $aEnglish.
650 0 $aWood sculpture, Makonde.
650 6 $aSculpture sur bois makondé.
650 7 $aART$xSculpture & Installation.$2bisacsh
650 7 $aWood sculpture, Makonde.$2fast$0(OCoLC)fst01179403
650 7 $aHolzplastik$2gnd
650 7 $aTeufel$gMotiv$2gnd
651 7 $aOstafrika$2gnd
650 17 $aMakonde (volk)$2gtt
650 17 $aHoutsnijkunst.$2gtt
650 17 $aPlastieken.$2gtt
650 17 $aGeesten.$2gtt
651 7 $aMakonde.$2swd
655 4 $aElectronic books.
776 08 $iPrint version:$aKingdon, Zachary, 1962-$tHost of devils$z0415277272$w(DLC) 2001048459$w(OCoLC)47892580
830 0 $aStudies in visual culture ;$vv. 2.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15094683$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS