Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:135741455:5939 |
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LEADER: 05939cam a2200673 i 4500
001 15095717
005 20211106232429.0
006 m o d
007 cr cnu---unuuu
008 140102s2000 ne ob 001 0 eng d
035 $a(OCoLC)ocn867050200
035 $a(NNC)15095717
040 $aN$T$beng$erda$epn$cN$T$dYDXCP$dOCLCQ$dK6U$dOCLCO$dSFB$dOCLCQ
020 $a9781134422050$q(electronic bk.)
020 $a1134422059$q(electronic bk.)
020 $z9057550261
020 $z9789057550263
035 $a(OCoLC)867050200
043 $ae-ur---
050 4 $aML28.S25$bP7543 2000eb
072 7 $aM$2lcco
072 7 $aMUS$x042000$2bisacsh
072 7 $aMUS$x052000$2bisacsh
072 7 $aMUS$x037110$2bisacsh
082 04 $a782.32/21947/006047$222
049 $aZCUA
100 1 $aDunlop, Carolyn C.
245 14 $aThe Russian Court Chapel Choir, 1796-1917 /$cCarolyn C. Dunlop.
264 1 $aAmsterdam :$bHarwood Academic Publishers,$c[2000]
264 4 $c©2000
300 $a1 online resource (x, 198 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aMusic archive publications. Series F, 19th century ;$vvolume 1
504 $aIncludes bibliographical references (pages 181-194) and index.
588 0 $aPrint version record.
505 00 $tAdministrative structure and educational provision: 1796-1861.$tThe court Kapella under the direction of Dmitry Bortnyansky: 1796-1825 --$tThe court Kapella under the direction of Fyodor L'vov: 1826-1836 --$tThe court Kapella under the direction of Aleksei L'vov: 1837-1861 --$tAdministrative structure and educational provision: 1861-1917.$tThe court Kapella under the direction of Nikolai Bakhmetev: 1861-1883 --$tThe court Kapell under the direction of Mily Balakirev: 1883-1894 --$tThe Kapella on the eve of revolution: 1896-1917 --$tThe development of court chant in historical and liturgical context.$tMusic in the liturgy of the Russian Orthodox church --$tA brief history of church chant: 988-1796 --$tDmitry Bortnyansky and court chant --$tFyodor L'vov and court chant --$tAleksei L'vov and court chant --$tNikolai Bakhmetev and court chant --$tChurch chant in the Kapella: 1883-1917 --$tConcert activities, critical reaction, repertoire and censorship.$t1796-1825 --$t1826-1836 --$t1837-1861 --$t1861-1883 --$t1883-1895 --$t1895-1901 --$t1901-1917 --$tThe directors of the court Kapella as composers of church music.$tDmitry Bortnyansky --$tAleksei L'vov --$tNikolai Bakhmetev --$tMily Balakirev --$tNikolai Rimsky-Korsakov --$tAnton Arensky --$gAppendices.$tProposed statute for the instrumental class, submitted by A.F. L'vov to the minister of the imperial court on 24 March 1857 --$tDraft regulations of the music school of the court Kapella, later ratified by the ministry of the imperial court. Compiled by N.A. Rimsky-Korsakov. St Petersburg, summer 1883 --$tRegulations and detailed programme of the instrumental class of the court Kapella, compiled by the assistant director of the court Kapella N.A. Rimsky-Korsakov, 1883 --$tStatute of the precentors' class in the court Kapella, compiled by N.A. Rimsky-Korsakov, approved 17 March 1884 --$tProgramme of the precentors' class of the court Kapella, compiled by the assistant director of the court Kapella --$tStatute of the precentor's class of the court Kapella, granted imperial sanction on 4 October 1908 --$tTeaching and administrative staff employed in the court Kapella: 1796-1917 --$tConcerts given by the St Petersburg philharmonic society in conjunction with the court Kapella: 1802-1853 --$tSacred composition by Dmitry Bortnyansky --$tSacred composition by Aleksei L'vov --$tSacred composition by Nikolai Bakhmetev --$tSacred composition by Mily Balakirev --$tSacred composition by Mikolai Rimsky-Korsakov --$tSacred composition by Anton Arensky.
520 $aIn this volume the author provides a detailed account of the work of the Russian court chapel choir, or Kapella, between 1796-1917 and examines the influence which it exerted on the development of sacred music in Russia. Many of the most influential figures of the time were closely involved with the Kapella - for example Glinka, Balakirev and Rimsky-Korsakov - but little research has been done on this area of their work. The educational importance of the institution has always been overshadowed by the achievements of the St Petersburg Conservatoire, and the consequences of the Kapella's monopoly in the area of music publication have never been investigated. A survey of this topic is essential not only for our understanding of the inestimable wealth of Russian sacred music but also for a comprehensive view of Russian musical life at this time.
610 20 $aPridvornai︠a︡ Imperatorskai︠a︡ pevcheskai︠a︡ kapella$xHistory.
610 27 $aPridvornai︠a︡ Imperatorskai︠a︡ pevcheskai︠a︡ kapella.$2fast$0(OCoLC)fst00710764
650 6 $aChapelles (Musique)$zRussie$xHistoire.
650 6 $aChorales$zRussie$xHistoire.
650 6 $aMusique d'église$zRussie.
650 6 $aChant grégorien$zRussie$xHistoire et critique.
650 7 $aMUSIC$xInstruction & Study$xVoice.$2bisacsh
650 7 $aMUSIC$xLyrics.$2bisacsh
650 7 $aMUSIC$xPrinted Music$xVocal.$2bisacsh
650 7 $aHofkapelle$gMusik$2gnd
650 7 $aGeistliche Musik$2gnd
650 07 $aChor.$2swd
650 07 $aGeschichte 1796-1917.$2swd
651 7 $aSankt Petersburg.$2swd
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aDunlop, Carolyn C.$tRussian Court Chapel Choir, 1796-1917$z9057550261$w(DLC) 2002421141$w(OCoLC)45030323
830 0 $aMusic archive publications.$nSeries F,$p19th century ;$vvolume 1.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15095717$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS