MARC Record from marc_columbia

LEADER: 05574cam a2200841 i 4500
001 15095737
005 20220528232241.0
006 m o d
007 cr cnu---unuuu
008 140107s2013 enk ob 001 0 eng d
035 $a(OCoLC)ocn867630914
035 $a(NNC)15095737
040 $aN$T$beng$erda$epn$cN$T$dCCO$dIDEBK$dCDX$dTYFRS$dYDXCP$dOCLCQ$dYDX$dOCLCO$dOCLCQ$dOCLCA$dAU@$dOCLCO$dUKAHL$dOCLCQ$dUWK$dOCLCA$dOCLCQ$dK6U$dOCLCO$dOCLCQ$dOCLCO
019 $a863040854$a1166100813
020 $a9781134664535$q(electronic bk.)
020 $a1134664532$q(electronic bk.)
020 $a9781315884004$q(ebook)
020 $a1315884003$q(ebook)
020 $a1306115248$q(ebk)
020 $a9781306115247$q(ebk)
020 $z9780415706223
020 $z041570622X
020 $z9780415706230
020 $z0415706238
035 $a(OCoLC)867630914$z(OCoLC)863040854$z(OCoLC)1166100813
037 $a542775$bMIL
050 4 $aJZ1305$b.I56425 2013eb
072 7 $aPOL$x040020$2bisacsh
072 7 $aPOL$x011000$2bisacsh
082 04 $a327.101$223
084 $aPOL000000$aPOL010000$2bisacsh
049 $aZCUA
245 00 $aInternational politics and performance :$bcritical aesthetics and creative practice /$cedited by Jenny Edkins and Adrian Kear.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2013.
300 $a1 online resource (xvii, 277 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aInterventions
520 $a"In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive performative turn in International Politics and a critical return to the centrality of politics and the concept of the political in Performance Studies highlights the importance of investigating the productivity of bringing the methods and approaches of the two fields of enquiry into dialogue and mutual relation. Exploring a wide range of issues including rioting, youth driven protests, border security practices and the significance of cultural awareness in war, this text provides an accessible and cutting edge survey of the intersection of international politics and performance examining issues surrounding the politics of appearance, image, event and place and discusses the development and deployment of innovative critical and creative research methods, from auto ethnography to site specific theatre making, from philosophical aesthetics to the aesthetic thought of new securities scenario planning The book's focus throughout is on the materiality of performance practices on the politics of making, spectating, and participating in a variety of modes as political actors and audiences whilst also seeking to explicate the performative dynamics of creative and critical thinking. Structured thematically and framed by a detailed introduction and conclusion, the focus is on producing a dialogue between contributors and providing an essential reference point in this developing field. This work is essential reading for students of politics and performance and will be of great interest to students and scholars of IR performance studies and cultural studies "--$cProvided by publisher
520 $a"The book focus throughout is on the materiality of performance practices"--$cProvided by publisher
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aPart I. Logics of staging -- part II. Aesthetic thought and the politics of practice -- part II. Aesthetic thought and the politics of practice -- part III. Ontological and ethnographic co-performance -- part IV. Bodies politics and performative -- part V. Dramaturgies of scenario and security.
650 0 $aInternational relations.
650 0 $aInternational relations$xPhilosophy.
650 0 $aCritical theory.
650 0 $aCultural awareness.
650 6 $aRelations internationales.
650 6 $aThéorie critique.
650 6 $aSensibilisation aux cultures.
650 7 $ainternational relations.$2aat
650 7 $acritical theories (dialectical critiques)$2aat
650 7 $aPOLITICAL SCIENCE$xGeneral.$2bisacsh
650 7 $aPOLITICAL SCIENCE$xHistory & Theory.$2bisacsh
650 7 $aPOLITICAL SCIENCE$xGovernment$xInternational.$2bisacsh
650 7 $aPOLITICAL SCIENCE$xInternational Relations$xGeneral.$2bisacsh
650 7 $aCritical theory.$2fast$0(OCoLC)fst00883690
650 7 $aCultural awareness.$2fast$0(OCoLC)fst00885001
650 7 $aInternational relations.$2fast$0(OCoLC)fst00977053
650 7 $aInternational relations$xPhilosophy.$2fast$0(OCoLC)fst00977075
650 7 $aDarstellende Kunst$2gnd
650 7 $aÄsthetik$2gnd
650 7 $aPolitik$2gnd
650 7 $aPerformance.$2gnd
650 7 $aTheater$2gnd
655 4 $aElectronic books.
700 1 $aEdkins, Jenny.
700 1 $aKear, Adrian,$d1970-
776 08 $iPrint version:$tInternational politics and performance$z9780415706223$w(DLC) 2013015731$w(OCoLC)840887277
830 0 $aInterventions (Routledge (Firm))
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15095737$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS