MARC Record from marc_columbia

LEADER: 04259cam a2200709 i 4500
001 15097546
005 20220604233040.0
006 m o d
007 cr cnu---unuuu
008 140303s2010 enkaf obq 001 0 eng d
035 $a(OCoLC)ocn871257804
035 $a(NNC)15097546
040 $aN$T$beng$erda$epn$cN$T$dIDEBK$dE7B$dTYFRS$dYDXCP$dOCLCF$dOCLCQ$dOCL$dMOR$dOCLCQ$dLEAUB$dOCLCQ$dOCLCO$dK6U$dOCLCQ$dSFB$dOCLCO
019 $a877850643$a1290080356
020 $a9781317724032$q(electronic bk.)
020 $a1317724038$q(electronic bk.)
020 $z9780415420426
020 $z0415420423
020 $z9780415420433
020 $z0415420431
020 $a1317724046
020 $a9781317724049
024 7 $a10.4324/9781315787619$2doi
035 $a(OCoLC)871257804$z(OCoLC)877850643$z(OCoLC)1290080356
050 4 $aPN1995.9.T78$bW34 2010eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/653$222
049 $aZCUA
100 1 $aWaddell, Terrie.
245 10 $aWild/lives :$btrickster, place and liminality on screen /$cTerrie Waddell.
246 30 $aTrickster, place and liminality on screen
264 1 $aLondon ;$aNew York :$bRoutledge,$c2010.
300 $a1 online resource (xvii, 186 pages, 8 unnumbered pages of plates) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aFilmography: pages 175-180.
504 $aIncludes bibliographical references (pages 164-174) and index.
505 0 $aVerging on wildness : liminality and trickster -- From the slime to the scream : pigs, whores and random acts of soiling : Deadwood -- Channelling the "inner warrior" : bear whispering as an extreme sport : Grizzly man -- Waiting for godonlyknows : the island with agency : Lost -- Lost in space : the pull of a sentient planet and its avatars : Solaris -- Drop and give me ten : the game, the shame, the pain : The biggest loser -- Dog day afternoons : furbabies and hellhounds : Amores perros (Love's a bitch) -- Tell me about the rabbits, Carol : fear and misandry in the underworld : Repulsion.
520 1 $a"Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--Jacket
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aTricksters in motion pictures.
650 0 $aLiminality in motion pictures.
650 0 $aTricksters on television.
650 0 $aLiminality on television.
650 6 $aTricksters au cinéma.
650 6 $aLiminalité au cinéma.
650 6 $aTricksters à la télévision.
650 6 $aLiminalité à la télévision.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aLiminality in motion pictures.$2fast$0(OCoLC)fst01903784
650 7 $aLiminality on television.$2fast$0(OCoLC)fst01747812
650 7 $aTricksters in motion pictures.$2fast$0(OCoLC)fst01904982
650 7 $aTricksters on television.$2fast$0(OCoLC)fst01747813
650 7 $aFernsehsendung$2gnd
650 7 $aTrickster$gMotiv$2gnd
650 7 $aFilm$2gnd
655 4 $aElectronic books.
776 08 $iPrint version:$aWaddell, Terrie.$tWild/lives$z9780415420426$w(DLC) 2009012479$w(OCoLC)244057099
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15097546$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS